ND Scum & FETO on Vinyl LP?

Question: I have been looking for copies of the first two Napalm Death albums on vinyl, and I noticed that on your site for the European store, you had a picture disc vinyl of Scum available, however this was absent from your U.S. store. What is the deal, and is there any chance of you sending some copies to the U.S. store sometime soon? Also, do you have any plans for a From Enslavement to Obliteration vinyl re-release in the near future? Answers to these questions would be greatly appreciated. Thank you.

Answer: Both the first 2 Napalm death albums were released on Vinyl LP inthe UK in the 80's, the first pressing of FETO was gatefold actually with a free 7inch disc. A few years later a pic disc of FETO was issued, again in UK, about 2000 copies, but Scum had wait till over a decade later for its pic disc.AS you say, its available to buy from our UK store as it was made in UK, and most of the time we do swap products between the UK and USA stores- but this must have been missed.We currently have no plans to issue FETO on vinyl again.Our interest in vinyl is sporadic and depends on demand, Napalm death's first 2 albums are classics of grindcore genre so probably will be issued again at some point. My advice is- grab them when you see them!

MISERY LOVES Co. DVD?

Question: I have the CD MOSH200, NEXTGEN Tour, which was an excellent tour. I have two versions MOSH200 and MOSH200A, the Pulkas tracks are the only ones that differ, is there a reason for this? Also since your re-issueing classic albums how about re-issueing Misery Loves Co debut album with their NEXTGEN perormance as a bonus DVD?


Answer: Wow, you are going back to 1998 with this one...it was a good year, and as you say that NEXT GEN tour was pretty exciting..sadly none of the bands on that tour went onto major long term careers tho,in fact most split up soon afterwards- which is disappointing, looking back.Anyways, the 2 versions of the comp are because Pulkas started to play legal antics with us, in an effort to get off the label- some demo tracks were removed, as the ownership was in question.This was answered elsewhere a while back on this blog. As for classic albums- yeah i agree with you! MLC debut was and still is a classic (i liken it to Fear factory's demanufacture, but more experimental)- like a lot of Earache titles, its now considered classic but at the time was not really picked up on by fans in mass numbers- only those that truly know about music tend to delve into the underground where earache resides.yeah we have the footage from that 1998 show and might consider it for a DVD release. Singer patrik from MLC is now a respected music journalist in sweden.

A&R opinion of bands on Myspace

Question: Surely you guys receive more demo submissions than you probably know what to do with... When Earache looks at a MySpace link from the demo section, are things that coincide with the music such as view count/image/presentation as important to you as other mainstream labels? Or does Earache rule so much they just like what they hear?

Answer: Nearly every band we look at on myspace now has 10,000 friends and 100,000 playcount and a neat CSS background and cool graphics and merch.Bands tend to blend into one another ans almost look and sound identical BUT we pretty much judge bands on the quality of music- the style, originality, level of professionalism.When we started to sign the new school Thrash bands the only place they existed was on myspace, but none had a great many plays or slick web pages- what attracted us was the music- it was good old fashioned A&R skill and sleuthing that alerted us to the potential of these bands.
To be honest most labels nowadays are doing A&R solely by myspace play count...or a basic search of myspace "unsigned" by descending playcount order- any monkey could do that, and many labels have hooked up with many bands in that fashion.

Earache PS2 Game in USA?

Question: I have been waiting almost 3 years for the PS/2 version of \"Extreme Metal Racing\" to be released in the USA. Is it finally going to be released next week or not?


Answer: Sadly the publisher of our game in the UK-METRO 3D is mostly a publisher of kids and budget range games (we knew this when we signed on with them for the earache extreme metal racing game) so has no major distribution outside UK.However, recently it announced a series of Wii games for the USA, but strangely did not include the Earache game in the bunch to be released. So we have no date for the USA release, sorry.

Earache influenced by Factory Records?

Question: on the scum dvd mick talks about how early napalm was influenced by joy division. Did that influence extend to earache at all in respect of joy division\'s label factory, they did sort of put together a step by step guide as to how not to run a record label long term however they did show how it was possible to be independent, so were they an influence at all? From:

Answer:If you check out old interviews,members of original Napalm Death would frequently cite influences from Joy Division, Swans, Pixies and Slab, aswell as the obvious death metal and grindcore references.Looking back I reckon they rated them for the emotional intensity within their songs, as the rest of the 80's indie rock outfits were too twee (Wedding Present) or fake HM (Zodiac Mindwarp) to bother with.Napalm Death even wrote a select few slow, heavy songs that were pretty much homage to Swans- 'Internal Animosity' from the Pathological Comp springs to mind.

As for Earache- yeah sure,even tho I had no direct contact with Factory, I was certainly influenced from afar.Factory was THE 80's Independent music scene institution in the UK..at the time it was the blueprint for how to cultivate a scene, stay connected to the street, but have mega-selling hits aswell.At it remained based in the North of england, which was brave in itself, as nearly 100% of the business of music takes place in London. What the late Anthony Wilson and the assorted bands achieved was groundbreaking, probably only a handful of labels have repeated the feat since.

Factory must have been a fun place to work..they had a party to celebrate anything it seems- ha ha - plus things like the numbering of the releases tapped into the record-collector psyche-and giving a catalog number to the hacienda club itself, and the office cat was just brilliant! We often toy with that idea -just to thwart the many earache fans who do actually collect the full set of mosh releases.Our PlayStation 2 game has a Mosh number even tho we didnt release it, for that make-the-collectors-work-hard reason.

But unlike Factory, Earache saw a lawyer early and actually signed contracts with most of its bands, so that was a crucial difference.I also never got sidetracked into running clubs or bars either, probably because Earache has never had the massive chart hits that could fund such wacky endeavours.

Severe Torture & Nox connection?

Question: This is about two of your bands who share members, with nox and
severe torture which band came from which did nox form as a side project of
severe torture or vice versa or are they two bands who mutated together?
Also do you know if it is difficult with members in two bands who are that
close to seperate what material is written for what band? From:

Answer:yeah its confusing, the bands are very closely linked but Severe Torture are Hollands most well known Pure Death metal band and have been around for quite a while,while,Nox are more blackened DM and are newer. Seth (drummer of ST) joined Nox on vocals but the main difference is NOX are the brainchild of Rob Oorthuis (ex-Centurian) and to further confuse matters, Severe Torture bassist Patrick plays in both bands aswell.

How did we sign BONDED BY BLOOD?

Question: So how did earache discover bonded by blood then I mean LA is a bit far out from your offices in nottingham and new york. Was it through myspace, touring or word from another band they played some shows with the waste if what ive read on forums is correct. From:

Answer: You might have noticed we are madly into the new school THRASH METAL sounds at the moment. Evile are doing great for us, as are Muni Waste and SSS too.After a cool tip off from MOnte at RoadRunner,we actually were due to sign LA thrashers Fueled By Fire in 2006 but even tho we gotto contract stages, they chose Metal Blade instead.So we missed out on them, but did not give up our search.
We spent early 2007 looking at a few LA thrash bands because it is undeniably the hotbed of New-School Thrash at the moment, there are literally hundreds of bands popping up, all playing blistering old-school thrash like it was 1987 again, but none grabbed us enough for a deal.We had spent most of 2007 doing our research via myspace then Ali Marr at this office came across Bonded By Blood in July as a track on the Thrash Unlimited forum myspace.Just one track- Immortal Life- but it immediately blew our minds here, they became a firm favourite.
We quickly got to work on signing the band up, signing just before their EP was released, as they are far and away the most talented of the new school LA bands, with powerful vocals from Aladdin, and Alex Lee is a guitar legend-in-waiting.At roughly the same time, an unknown Thrash fan in LA had emailed me to make a suggestion-BONDED BY BLOOD so this genuine tip-off spurred us on to get the deal done, the fan quickly became Earache's A&R contact in LA.The debut BONDED BY BLOOD album- titled possibly FEED THE BEAST, will be out march 2008, and includes songs from the EP plus 7 more Thrash classics.

Earache -no love for Ted Maul then?

Question: This is an interesting one, how come earache never picked up ted maul? If you look at its inital line up it had peter theobalds on bass who used to be in akercocke but he left if i recal because aks touring and recording comitments made it impossible to do both bands, who was also in ak at the time and also ritz who had a stint as akercocke\'s keyboard player. Also a large proportion of the band worked as roadies for ak. I thought a band that brutally heavy with that kind of association to one of earache\'s better bands would be on the label quite quickly. I mean as far as i know the band are still unsigned with their last album white label being self released by its members. From:

Answer: Hmmm very interesting one, as you say- on paper Earache SHOULD be working with Ted Maul..the band are obviously pushing the envelope musically, with the Drum N bass meets Death Metal angle, which is gaining great reviews, plus the Akercocke connection and we do seem to have a lot in common- it should make it a no-brainer, right?

The problem is Earache itself was experimenting with the Hardcore techno/DnB mashed up with Metal thing in the 90's and so its kinda pretty old news round these parts, and we also know how closed-minded metallers can be to such hybrid sounds- despite critics applauding it.Unless Enter Shikari have made it OK for metal fans nowadays to enjoy mashed-up genres?

Also we have never had any meaningful type dialogue/contact with Ted Maul,for some reason they keep their distance from us- maybe it was because Akercocke were already on Earache, we also know they have a strong DIY ethic within the band, which we can understand, and are aware they prefer to do their own thing, which is actually how a lot of bands choose to operate these days-myspace allows bands to interact with fans so much easier than in the even recent past.Many dont actually need a label.

To an outsider it probably looks crazy that we arent working with Ted Maul..but for various reasons the band and label never got together.We think they are a cool bunch of dudes, but its just one of those things.

Earache & Taint?

Question: Im just wondering did earache have any interest in welsh sludge/post metal/hardcore punk crew taint. My reason for asking is because everytime they have played nottingham the past few times there seems to be a few earache staffers at their shows were you guys checking them out as a possible future earache band or somthing? From:

Answer: Yeah quite a few of the staffers have always loved TAINT - in fact that whole ACRIMONY/BLACK EYE RIOT Wales Sludge/doom scene goes down well on thee Earache death deck.TAINT have a lot in common with CLUTCH to my mind, but I don't think we ever tried to sign them tho- they have been signed to Lee Dorrian's Rise Above label so we leave them alone.I notice they have a newie out now and are touring including a Nottingham show. We should be in attendance as usual, we are at most decent shows in the town after all.

CARCASS have reformed

Question: Hi there,is it true that Carcass reunion?as far that i know,ken owen are having badly brain tumor disease.Is he recover?If that all true,i will could pay thousand dollar to fly over seas to see Carcass play at ozzfest!-ma\'el-(malaysia) From: maelsick666666sense@yahoo.com

Answer: Well you better get saving up for your flights my friend, because it is true that CARCASS will reform to play some shows next summer at European festivals- we hear currently: TUSKA 2008, WACKEN 2008 & HELLFEST 2008, and maybe more to be announced. The band recently met up in London to be filmed for a series of retrospective DVD's which we are releasing next year.You are right about Ken tho- he suffered an accidental brain hemorrhage in 1999 which left him in a coma, literally fighting for his life- after an amazing fightback,and a lot of rehabilitation he is now fully able- but drumming a full live set would be too taxing- so the drummer on the shows will be Daniel Erlandson (Mike Amott's band mate in Arch Enemy).

Heres CARCASS video for "Keep on Rotting In The Free World"

What happened to Pulkas?

Question: What happened to Pulkas???? From: angharad.jones@orange.net

Answer:They were a fantastic band while they lasted were PULKAS.Earache signed the London band after they played a handful of gigs in 1998, and recorded them with famed producer Colin Richardson for the debut album "Greed".On its release -to rave reviews- it became obvious that the band could easily go onto great things, as their brand of groovy/alternative-leaning metal was breaking big, if you recall, 1998 was the era when Deftones/Tool etc were coming through on the world scene, selling lots of albums.

Sensing their greatness deserved better than the indie label they had just signed to, the band wasted no time in recruiting a manager who proceeded to shop them to major labels, even tho the band were contracted to us for 3 more albums.They broke off all contact with Earache so we were forced to spend 2 years wrangling via lawyers, defending our quite legitimate legal and moral position.At some point in the protracted process, the band split up.Almost 10 years on, the album was so ahead of its time, it still sounds contemporary-like it could have been released last week- but I dont think the ex-members have been in any notable bands since.

Strange things are happening and the band is getting a bit of attention lately in 2009- 11 years after the album- so heres the bands only video clip, LOADED.

The Freezing Fog & Beecher

Question: If a band breaks up under contract to earache, what normally happens in regard to the former musicans new projects does earache have rights to first listen to decide if they want to pick them up or not, for example the band of ex beecher members the freezing fog would earache have had first rights to check the demos out to gauge interest or not? From:

Answer: The usual contract is such that the individual members are signed, not the band-so when a band splits mid-contract, Earache has the option to continue with any members' new outfits, or not.In the case of Beecher, the band split up quite suddenly and unexpectedly, soon after the release of their first album for us, while promotion was still ongoing infact.The band persevered through a couple of gruelling Euro tours making seemingly little or no headway in terms of building a career, which kinda made the guys re-think their priorities.
Earache chose not to pick up the option to continue.Now some 2 years later, ex-Beecher members are back as THE FREEZING FOG and while they have mutated into a more stoner/cathedral rock vibe, its not something Earache would be interested in right now.Beecher were cruelly under-appreciated when they were going, and in many ways spearheaded the UK screamo/death scene which many bands have embraced with much greater success since.

Gallows & Earache?

Question: Is it true that earache turned down Gallows, Aparently on the
night they got signed they were playing a gig at rock city according to them
reps from all three of the nottingham metal labels were there and they said
that iatde were the only ones that offered them a deal, do you regret this
decision now being as they are being scene as \"saviours\" of the uk extreme
metal/punk/hardcore scene. From:


Answer:Earache never really even knew about Gallows until after the IATDE debut.I dont remember there being much of a fuss about them in our office, their 'greatness' was'nt recognised by us at all until quite recently.You could say we were slow off the mark.

I don't regret not getting involved in them, we have enough on our plate with the bands we already signed. We think fair play to mark at iatde records for taking the chance and he has earned the kudos that his decision deserved.Both Gallows and IATDE are both doing great it seems, so more power to them.

The Music Biz- it's what we do..

Question: hi there, my names Mark and I\'m studying music at college and I just wanted to ask a few questions about Earache as a record label.
Has Earache always been a completely independent label or have there ever been any occasions where they have helped bands with more than just promotion or distribution. For instance, have you ever organised tours/gigs or cover art for any bands.
How do you usually find your acts and do bands often send their demos to you?
Do you handle the royalties for music you‚ve released if it gets played on the radio or some other form of media?
Thanks.
From: smets.mark@gmail.com

Answer:Earache has always been an 100% Independent label.Meaning its ownership is out of the hands of the big 4 Major music labels which between them control approx 75% of the worlds music output- labels like Universal, SONY-BMG, Warners and EMI.We are not part of them so do not have to pander to shareholders and such like.In this age of myspace and free Mp3s, promotion and distro is often overlooked-- i mean, Earache's Cds are currently available in over 20 countries of the world.This is no mean feat, we oversee the manufacture and distro of Cds into basically 20 warehouses across the globe from which shops obtain the cd.If you visit stores in Melbourne,Manchester, Madrid, Moscow, or Michigan you find Earache CDs in stores.

What we basically bring to the table is knowledge and experience of career development for bands, and the means and finances to carry it out.For touring we usually hook the band up with an agent ho deals with clubs and bookings on behalf of the act, but if they are too new, we do it instead. For artwork bands have creatiuve freedom, so they supply art - or if not, we usually carry out the bands wishes. we help out all our bands especially in the early stages of a career.

We find bands all over- not usually from demos in the mail tho..we scour myspace for great new bands who are original and talented and who wanna work hard to acheive a career.Some bands are signed after we see them perform live, we are always checking out opening bands, the ones on the bottom of the bill are what we like to see..On a typical week I personally can see 5 new bands, between our A&R staff its gotta be 20, in clubs in Nottingham, New York, London and further afield.

For royalties, we collect the money from sales in all formats, CD, Digital downloads and as the song publisher from radio airplay too.This is paid to the artists twice a year according to contract, if the bands recoup the recording costs.

hope that explains how it works.

The Horror/Voorhees on Earache?

Question: Im wondering since earache has signed SSS, Are you looking into any other members of the thrashgig crew at all eg the horror? Speaking of the horror, I heard that earache offered to sign them back in the day when they were voorhess but the band said no because of their DIY ethics is this true? id be suprised if earache showed no interest as they were one of the main ukhc punk bands back in the 90s. From:

Answer: Earache has a strong Hardcore punk background- after all, its the music that I grew up with, the first 80's wave of US and UKHC bands, but Earache hasnt done too many of those straight up HC bands since HERESY.While I am all in favour of the DIY ethics (hell,I still kinda consider Earache a DIY label)sadly, the purist holier-than-thou attitudes of a lot of current HC bands means they don't want to work with us, and I can accept that, we are just fine with that.

In the 90's Earache spoke to quite a few of the UKHC bands- I honestly dont remember talking to Voorhees, but I recall Knuckledust were one of my faves because they sounded crushingly heavier- but they were always happy enough with their current situation and did'nt fancy working with a bigger label.Fair enough.As a consequence,most of the bands Earache prefers to sign have got to have a much more 'crossover' mindset- meaning a love of all things metal aswell as punk.Iron Monkey for a time were like that, till Steve Watson left, a lot of the 'metalhead' attitude left with him, so they reverted to operating like a traditional HC punk outfit.

SSS fit the crossover bill- thats why we work with them, but even tho I never checked them out properly,I assume The Horror & Voorhees before them are/were steeped 100% in the HC scene and while I applaud their principles and their DIY efforts,its something we dont go for as a label, to be honest, with one exception of
Career Suicide cos they are outstandingly brilliant.

Heres Voorhees in 1995 live at bradford:

Could SLEEP have been massive, like Wolfmother?

Question: do you think if sleep had stayed together they would have been alot more comercially successful than they were? im asking this because they are listed as a main influence of wolfmother on wolfmother\'s who are a band who have made it very big with a similer sound. Im just wondering do you think the orginals could have had the same success? From:


Answer: I know what you mean- on the face of it Sleep were sounding remarkably like Wolfmother, but a decade beforehand.The truth is both bands were influenced by the 70's Hard Rock originators, Black Sabbath, Blue Cheer, Led Zep etc but Wolfmother came out in 2005 to a more mature rock-friendly record buying climate that Sleep didnt benefit from back in the 90's.Sleep did have the chance for stardom when they signed to a major label-London records- but they blew it by wilfully making a 73 minute one song/one riff of an album that the major shelved because it was totally uncommercial.In short, Sleep didnt pander to the corporate Industry game, and you have to applaud them for that.Wolfmother also have more obvious Robert plant vocals that Sleep lacked.So yeah i think if Sleep had cared about making it big, they would have done it, sure..but they just did not give a shit.

make your own mind up by viewing the video we shot of them in 1993:

The Earache & The Prodigy connection

Question: I read somewhere that earache tried to sign the prodigy back in the day is this true? also is this the reason why during the 90s earache picked up the side project of gizz and also why jim ended up in pitchshifter?
Also does earache have any interest in the power violence scene at all, I remember once reading in a fanzine that dropdead had contacted you but it didnt get very far, to which im quite suprised being as dave witte whos in an earache band is a leading figure of the genre. From:

Answer: Funny you should mention The Prodigy- they are one of my favourite bands of all time (along with Slayer).In the early-mid 90's they were responsible for turning me onto Rave/techno music which was coming out of the underground in the UK.The band had banging beats and a certain punky attitude which i thought was fantastic, they still have it to this day.We never got the chance to sign The Prodigy, but the time would have been a year ago when they finished with long-term label XL to go with their own imprint under Cooking Vinyl umbrella.A bold move again from a very savvy band.
In about 1997 Earache was due to sign the English Dogs, a hardcore punk band led by Gizz Butt, himself a scene stalwart, and as we did the signing, he informed us of some weird news- Liam Howlett had hand picked him to be the new live guitarist for The Prodigy, replacing Jim Davies who had famously played guitar on the "firestarter" track and had appeared on and off at live events with them too, but who it seems Liam decided didnt cut it onstage as well as Gizz.Jim was out and Gizz was in. The irony was that English Dogs (who quickly changed name to Janus Stark) made an album for Earache but never toured properly in support of it, since Gizz was wanted by The Prodigy.Jim soon hooked up with Pitchshifter (who were on Earache previously) and had pioneered rave/drumnbass mashed up with metal at around the same time as prodigy, but with less success. So yeah it was weird that the guitarists Earache was working with were both chosen by Liam.

As for Drop Dead, yeah that first pressing of the debut album was a total fave round here, and i think we made contact to try to work with them, but the band were too DIY in their outlook to consider working with Earache, so it never happened. We certainly tried tho!

Scorn- Vae Solis cover explained.

Question: Scorn\'s \"Vae Solis\" is one of the most masterful pieces of intense industrial music ever placed onto plastic. It\'s unique blend of dub, industrial and metal-driven riffs ala Godflesh (Justin Broadrick did play on the CD of course!) yet it\'s still such a mystery to me.

I tried asking Mick Harris himself online about lyrics for the CD but he didn\'t have any. Also, I always wondered what the album title \"Vae Solis\" means, or what exactly is it? Also, what is that on the album cover?

Great CD, but such a mysterious album. From:

Answer:Yeah Scorn's debut Vae Solis is a terrific album, which stands repeated listens even 15 years later, but i think it is merely a hint of the greatness which was soon to come from the duo of Mick Harris and Nik Bullen on 1994's Evanescence album., which is revolutionary. As for the lyrics, Nik used to carry round a small pocket notebook everywhere with him and was constantly writing new ideas/lyrics etc into it..this formed the basis of many of the themes in his works.The cover of Vae Solis (which i think strictly means 'Woeful Sun' in latin- or Black Sun more likely) is a collage of 2 medical photographs superimposed. One photo is an open throat, probably diseased, the other is a cancerous cell, taken with microscope, if memory serves.

Concrete Sox on Earache -80s HC band.

Question: Why didn\'t Earache or has the label ever thought of signing Concrete Sox to their legion of hardcore bands back in the 80\'s? Indeed they did a split album with Heresy but why didn\'t Earache try grabbing in Concrete Sox for a record deal?

In my humble opinion, Concrete Sox were a gem in the hardcore/crossover movement of the 80\'s and sadly, their legacy isn\'t carried on much today other than through P2P mp3 sharing programs (like Soulseek, etc). It would\'ve been great to see Concrete Sox get their own record/CD released on Earache so at least people can get better access to the band (of course, that is if the label decided to reissue their CD\'s.) From:


Answer: Earache's Mosh 2 release was actually my first proper release and as you say was a split LP between 2 of Nottingham's crossover/HC/metal bands at the time,late 80's, HERESY and CONCRETE SOX. It soon became clear that heresy were the much better received by fans at the time, probably because of the amount of touring they undertook. CS tended to stay at home.Also Earache didnt really want to work with CS anymore after the success of Napalm death's scum LP, the label took on a very different course and I signed much more metalcore acts, CS were more a political punk band who loved a bit of metal.As time went on, CS recorded a few more releases and survive in some form to this day, but have always suffered from line up problems.

Evile 7inch FREE with purchase of album

Question: Hey Earache whats up? I heard about an Evile vinyl EP available. How can I get my hands on this. I live in California.From Stevethrash666@gmail.com

Answer: The Evile FREE 7 inch single is only available from the USA EARACHE webstore in the USA> its mainly going to be in UK indie shops,where you can ask for it if you buy the album on Monday 27th August, as well as with pre-orders from earache uk webstore of the Evile debut Enter The Grave album. See this LIST OF STORES

Deicide update..

Question: Any deicide news? are they still together? From: macmullinrobert@yahoo.ca


Answer: Touring as been curtailed as Glen has some legal issues pending BUT that has given the main writer- Steve Asheim- plenty of time to get creative, both Jack owen and Steve have been working on demo-ing some more 'Rock- based' projects and Ralph was ousted during the turmoil, but he quickly resurfaced as Obituary's guitarist.

Deicide DID look to be going nowhere-BUT- incredibly,out of the blue- we just received 8 new DEICIDE songs in demo form, and they are incredible, like Stench material but now even faster, if such a thing is possible.
The band, Glen, Jack, Steve and probably Dave Suzuki (ex-guitarist Ralph Santolla might just appear as guest soloist?) will more than likely enter Morrisound Recordings in September to record the new album.Earache will officially announce its release nearer the time, probably in stores around Jan 2008.As ever with Deicide, all information is subject to change.

Earache Early Releases Pressing quantities

Question: Hi there,
I wonder if there are any detailed informations about the number of copies that were pressed from the \"old\" Earache releases? I\'m trying to complete \"my youth\" what means MOSH1 to MOSH49 on vinyl records. Last week i finally got my MOSH10. It was very hard to find that one. But much harder to find, nearly impossible is e.g. MOSH1. So my question is how many copies were pressed of MOSH 1 to 49? From: m.mahlert@googlemail.com

Answer: Well good luck to you in your search- it was only recently that i got my own copy of MOSH1 on vinyl cos i never put myself a copy aside on release(thanks Lee).The Accused record was not actually pressed by me, it was a co-release with Bristols now long defunct label COR, who kindly made the pressing for me.I suspect maybe 5000 were made on LP at the time, 1987- and no represings ever since cos the rights reverted to the band.
You can get a lot of info on pressings at our catalog page HERE.
Most of the releases 1-49 did come out on vinyl but in varying quantities. The bigger bands Napalm Death, carcass, Entombed, Morbid Angel etc probably did 10,000+ on vinyl and are easily available even 20 years later on ebay etc.Some of the less successful acts had pressings more in the order of 2000-3000 or so.Titles like the first OLD, Intense Degree,Filthy Christians,Spazztic Blurr, Sore Throat, Sweet Tooth just did not sell that well on release so i put the labels energies into the bands who were exploding so the others never waranted a re-press at the time.

By a supreme irony i have a werehouse at a secret location in Nottingham, chock full of unsold vinyl albums from the 90's, and every now and again we visit the place and see lying around some of these long lost classics that collectors would kill for.But we leave them there, gathering dust- unwanted and unloved. Sorry dude.

Former Earache artists new works...

Question: I was wondering out of all the former earache artists whose current musical activities suprise you the most, for me it has to be nick royale of entombed being as he left to concentrate on garage rockers the hellacopters and managed to influence the hives along the way, although hes now come back to death metal with death breath. So which one is it for you. From:


Answer: Most of our former artists- and after 20 years of doing this, we have a LOT of ex-artists- most, to their credit keep on playing the kind of music which they did in the past whilst on the label, best examples are say Bolt Thrower and Morbid Angel.I guess that shows most of our bands stuck to thier guns and given that most of the early Earache musicians were wildly innovative in the orignal death/grind scene, that is how it should be. If you want to know the ex-musicians who have surprised and delighted me the most with their post-Earache output- it has to be Mick Harris and also Justin Broadrick.Thomas Lindberg and Jim Plotkin also fall into that category, for daring to be different.

Mick Harris basically was the prime force in early Napalm death and the super fast drumblast was his innovation, but he left the band and began a totally different musical direction..he began making more electronic music with Scorn.The album he produced called 'Zander' is incredible, its an earth-shaking bass driven dub album, quite unlike anything i had heard before, or since infact. Thats true innovation and creativity right there. As for Nicke ex-Entombed, there were subtle hints of his new hellacopters direction whilst he was still in entombed infact- the Kiss worship in interviews, the choice of New bomb turks to do a split 7inch release with.The rock n roll direction of the hellacopters seemed to be Nickes main choice of style, and he did very well with it after taking the leap from Entombed.

How many Muni Waste vinly LP colors?

Question: Hello Earache,

I\'d like to know the pressing info for the \"the Art of partying\" LP. On what colours and how many of each color will be pressed?

Thanks.

From: jorisvde@hotmail.com


answer: its pressed and onsale today from the Earache webstores.This Thrash-tastic soon-to-be-classic LP is available in a mindboggling -10 -count 'em -different colored slabs o' wax.200 of each exist.Snap em up to be assured of a collectible rarity thats surely gonna be worth stacks in years to come. First come first served!!

Coalesce on Earache circa 1996-7?

Question: two questions for you.

1) Is it true that Dig is the reason for the Book choosing death\'s existance, I read somewhere that albert originally only intended to interview Dig but then the book expanded from that.
2) How did Earache end up signing Coalesce, I mean they werent exactly the type of sound that you would associate with earache at the time and did you look into any other bands from that scene at the time such as botch and converge. From:


Answer:yeah- according to Albert, the catalyst for the book came from the 2 or 3 indepth interviews he did with me for a local Philly mag- around 2000 when we issued a label compilation called "Immortalised",which was 3 cds in a tin can,(to represent a kinda mini-time capsule).I guess he enjoyed me reciting the completely candid story of the explosive rise of this label, from humble beginnings to selling millions of records in early 90's to a kinda downturn in our fortunes in late 90's, and the subsequent rise of death metal acts on other labels- in essence he saw the potential to recount the complete story of the scene.I also reckon the success of books like Lords of Chaos and American Hardcore prompted him to take it further.
As for Coalesce- we signed the band early on to a 7inch record deal,because we saw they had potential and as a HC band they were highly unusual in taking an more open minded stance towards metal cos at the time the 2 scenes rarely mixed.Sadly line up problems meant the band did not progress too well.

EARACHE BAND DECEMBER 2000-2003

Question: What ever happened with December? I picked up The Lament Configuration a few years ago, and about 20 listens later, I finally found what I was looking for. The last news article is from \'04 saying they have a new singer and are recording, but I haven\'t been able to find out a damn thing more about them. \"December\" is a tricky word to google. From: cailinltj@hotmail.com

Answer: yes December were a great band-from Reno, Nevada, and played what might be described as stop /start hardcore with metallic riffs and breakdowns- or in other words-early metalcore.In about 2003 their long-term singer and leader Mark Moots quit the bqnd after 10 years service and the band sadly imploded after that.BUT-They made a great promo clip for the track "host" off the lament configuration album..filmed by Pete Bridgwater at a ranch just outside Reno, if you look carefuly you can see 2 disused jet fighter planes in the aircraft hanger the band are playing in..you can view it here;

Main players in UK extreme metal scene?

Question: I want to ask, who are the main talent agents and companies that earache deals with, I mean with indie and rock you have creation managment (alan mcgee) and hall or nothing( martin hall). Are there less managers working in extreme metal or somthing? From:

Answer:Extreme metal has its main movers and shakers, much like any scene- but because the whole metal scene is quietly shunned by,and exists pretty much under the radar of the music industry as a whole, these people are hardly household names.The scale of operations in extreme metal are basically smaller, as are the financial rewards,which makes the folks toiling away to grow and cultivate the bands more or less have to be fans first and foremost, making a financial 'killing' is the last thing on their minds usually.For example, A huge selling breakthrough extreme metal act-Shadows Fall, say, might sell 250,000 copies of an album in USA, 250,000 in UK&Europe-BUT this is not even in the same league as many of the leading UK indie bands- Kaiser Chiefs sell upwards of 1,000,000 in the UK alone, Kasabian also, Snow Patrol also sell a million here, Coldplay 3 Million.

To answer your question; After the USA heavyweights like Q-Prime (Metallica) and the UK equivalents like Sharon Osbourne(Ozzy) and Rod Smallwood (Iron Maiden) arguably, Craig Jennings (pic above) might be the most important Artist manager in the UK metal scene, handling acts like Bullet for My valentine, Funeral For A friend & Gallows.Andy Farrow in Yorkshire manages a stellar roster of Paradise Lost, Opeth and Skindred.Cradle of filth are managed by Faye Woolven.Many of these managers have grown with the acts after they made their sales breakthroughs.For promotions- many of the labels releasing extreme metal rely on their own in-house promo teams, as its such a specific type of music and you have to be steeped in the scene 24/7 to be respected within it.As freelance tho, Kaz Mercer at Mercenary handles Metallica and Lostprophets,so thats a pretty powerful roster! Owen at hero PR is also freelance, and does FFAF some bigger bands (he used to work at Earache ha ha).Anton Brookes at Bad Moon handles Foo Fighters and is open minded to work with newer acts too.

By and large, being an Independent minded and smallish scene- most people just work the bands they have an affinity with.

Viewing Earache bands tour dates

Question: hi in the uk we have a website called ENTS2 which after search i can find whats happening in any town in the uk. 2 things,is there a website which does simaliar in europe,of are yourselves thinking of doing one. save logging onto individial bands websites. thanks. From: 8haywah@uk.ibm.com

Answer: Earache offers fans to check our bands gigs ina calendar view. go to our front page www.earache.com and you'll see a map of the world.Clicking any continent, or UK graphic, brings up a calendar view of gigs by date/town.Now you can plan your gig viewing in advance..see you down the front!

Earache & Sub Pop ( how we nearly signed Nirvana!)

Question: It has been said before about how earache had negotiated with sub pop to release nivarna material, however im wondering why are godflesh listed as a sub pop artist on their wikipedia page and also in a book about the label\'s history, did earache license the material to them ( perhaps to sweeten the deal for getting nivarna or something) From:


Answer:Earache in the late 80's was making waves in the Uk Indie scene, supported by John Peel etc, and selling a lot of grindcore and Death Metal records.Our UK distributor was Revolver Distro based in Bristol, and working at the distro was an amiable American chap named Gary Held, who ran a DIY one-man label called Tupelo, with i think 4 or 5 releases out(including Sleep's debut).Meanwhile the Uk press were beginning to fawn over the coming Sub Pop-led Seattle grunge scene, most of which i thought was garbage, with one exception- Nirvana- who quickly became my favourite band on the planet, mainly thru the heaviness of the guitars and the sense that they were an intense band.
Meanwhile,Gary Held had pulled off a major coup for his label by licensing the debut Nirvana album for the UK- the story goes that he flew up to the Sub Pop office armed with $1000 in cash and said he's not leaving until they license Bleach to him for UK!
By the end of the day, he had the album! A genius move by any standards..
Tupelo quickly sold out of its first pressing of "Bleach" and The guy hired to do publicity for Tupelo/Nirvana in the UK (Anton of Bad Moon) was also doing Earache's publicity for a short while.Earache and Tupelo quickly became the biggest selling labels thru Revolver distro- so i had a front row seat to witness the Nirvana bandwagon starting to roll in the UK.
You gotta remember tho Nirvana on the debut were deemed very cool by the media,but the band were still quite underground and merely a promising US band among thousands of promising bands, and far from the superstars they(albeit reluctantly)later became.
Earache wanted to license the next album by Nirvana badly- and offered a whopping $13,000 to Sub Pop in order to license the next Nirvana album.It was a fortune for us at the time, but was never even considered, as events began to snowball and Nirvana quickly left Sub Pop to sign to DGC/Geffen.Oh well, - nevermind.


As for Godflesh- Earache licensed a couple of Godflesh tracks to Sub Pop for their 7 inch series, which became their Slateman single.Earache released it on CD for Europe.

Another piece of trivia- The second guitarist on the cover of Bleach is actually Jason Everman, who joined Nirvana briefly as a live guitarist, but did not feature on the recording.Later he joined the band OLD signed to Earache and appears on the lo flux tube album by them.

Earache & the Pathological Compilation (1990)

Question: I\'ve got a CD called the \"Pathological Compilation\", from the label \"Pathological\" (PATH 1). It was distributed by Revolver/Cartel and marketed by Earache. There\'s no date on the disc, but IIRC I picked it up new around 1993. It\'s got Earache bands from that era like Carcass, ND, and Godflesh; along with other bands like Coil, Silverfish, and God. The whole compilation is more industrial than grind - the ND track in particular is uncharacteristically industrial. What was the story behind this disc? Were there anymore releases on Pathological through Earache or otherwise? From: tsukaesugi@yahoo.com


Answer:Earache's leading grindcore bands were starting to make breakthroughs in the wider UK Independent music scene during the late 80's and came to the attention of noted London Indie scenester Kevin Martin.Kevin had earlier promoted one of the earliest Napalm death shows in London- at his 'Mule' club, which was a hotbed of the more open-minded underground London scenesters at the time.
Kevin was a major supporter of the early Earache bands and fancied doing a compilation of the more adventurous UK independent bands around at the time- which included a few of the Earache bands, as well as some of his fave traditionally Independent bands who were doing the rounds at the time, Silverfish, Terminal Cheesecake etc.

Kevin gathered the tracks from the bands (which was probably the first time the Earache bands had the freedom to record songs outside of the album framework, which is why they went for more experimental material)He also named his compilaton and did the art but crucially couldnt find the funds to press the record or distribute it.
Earache liked what he was trying to accomplish so I took on the marketing of the CD for him.Earache released the debut Pathological compilation- i think we did 5000 copies, and after the first pressing sold out we didnt repress it anymore.
After the debut,kevin/Pathological went on alone, to release several more records,- Earache was not involved anymore by that stage- by bands like Terminal Cheesecake and Oxbow..and notably, kevin started the first of his many artist collaborations with Godflesh's Justin Broadrick on the Techno Animalproject (Pictured with kevin, right) which Pathological also released.
Pathological folded a few years later.Kevin and Justin Broadrick went on to record countless collaboration projects for the next decade.

Earache give away 5000 FREE 'Thrash is King' T-Shirts in Hammer mag

Question: Where can I get one of these Thrash is king white shirts? And by the way congrats on signing Evile. From: sdobson666@gmail.com

Answer: we gave out a load of Thrash is King promotional T-shirts to journalists in London recently, maybe its that you have seen.Sorry but that one is now out of print.
However Thrashers in the UK be aware--we are also giving away 5000 Thrash is King shirts (see pics) FREE with the next issue of Metal hammer magazine in the uK, if you buy it from an HMV record store. So- buy your copy of Hammer in HMV from June 6th and claim your FREE thrash T-shirt, packed in the bag.

Earache bands in Guitar Hero Game?

Question: did i hear that you were creating an \"extreme guitar hero game\"? cuz that would be amazing, please say its true. cheers From: purehatred666@hotmail.com


Answer: Our PS2 game -Earache Extreme Metal Racing -is still the only extreme metal type rock game on the market, and its selling quite well. The initial concept was by the developer- Metro 3D, tho we had a large part in choosing the music (obviously) and some input on vehicles.The publishers of our game are currently porting it to the Nintendo Wii platform for release in approx october, and are also working on an 18+ hardcore blood and gore version, and also trying to work in some support for playing it via the Guitar hero controller in a later version.
Meanwhile Earache is also talking to harmonix (Guitar hero developer) about the inclusion of some of our bands in the next Guitar hero game- called "rock band", where players can choose an instrument, form a band and eventually play together in-game and even online.

Tyrant- speed metal band

Question: WE ARE AN UNSIGNED SPEED METAL BAND TRYING TO GET SIGNED. PLEASE LISTEN TO OUR DEMO ON OUR MYSPACE PAGE.www.myspace.com/tyrantthrash

THANKS
-BEAR
DRUMMER OF TYRANT From: WWW.METALBEAR87@YAHOO.COM

Answer: yeah , i like your style, but the songs and riffs you play arent as catchy as fellow Californian Thrashers like Merciless Death or Fueled By Fire, i'm afraid.Good luck to you tho...

Indonesian Death metal bands

Question: is EARACHE looking forward to sign Indonesian Death Metal bands? From: annodaemoni@yahoo.ca

Answer: we never heard any Death metal bands from indonesia, but yeah why not, if they are brutal and original?

Earache DVD music

Question: Who play the music song in the Earache\'s DVDs (Napalm Death DVD, Carcass DVD, Entombeb DVD........), where appears a screen with Earache Logo flying in a purple sky with stars? Remember: I don\'t talk about Decapitated song \"Spheres of Madness\"! From: xcabalax@bol.com.br

Answer: It's Cathedral- the riff is from the middle section of a song called 'Voyage Of The Homeless Sapian'.The song is 20+ minutes long and the riff we used to open the title sequence of the early Earache DVDs is at about 16 minutes from memory. Its classic huh?

Municipal Waste Special edition CD w/ Patch - out June 11

Question: Is there going to be a pre-order for the new MUNICIPAL WASTE cd? and if so will it come with any free cool shit?? From: darthauclair@hotmail.com


Answer: see the special editions HERE
The main special edition is CD with FREE Woven Patch, and bonus songs, limited to 5000 copies.This will be available to order from the earache webstore soon.Vinyl LP will be also available in an assortment of colors.Set your calendars for Monday 11th June- its "Thrash Monday"

Akercocke- Can you crack The Antichrist Code?

Question: how can i listen the new akercocke album on line? From: panosenn@otenet.gr

Answer: The new Akercocke album Antichrist is available at a secret location online for listening ONLY to people who crack the online treasure hunt called The Antichrist Code.A series of about 8 Akercocke related puzzles and questions have been posted online on myspace and youtube websites.If you correctly follow the clues they will lead you to the reward.Though difficult,(so difficult that Jason himself could not crack the final puzzle) The hunt was suprisingly completed by 15 fans within 24 hours of it being announced, but the location of the prize was leaked by news sites like blabbermouth etc, which spoiled the fun of the hunt for the hordes of avid akercocke fans still searching- so we relocated it.

Begin your quest with the first question here: http://www.myspace.com/akercockeantichrist http://www.myspace.com/akercockeantichrist

Godflesh/ PSI etc - are they Grind?

Question: Can you maybe explain why people always consider bands like Godflesh, Pitchshifter and Dead World grindcore? It\'s really annoying to see bands such as the ones above labeled that when they ironically were the total opposite of fast, blast beating madness. Hell, even the Earache webstore labeled one of Pitchshifter\'s album \"industro-grind\", which actually sparked the question I have in mind. From:


Answer: Early Godflesh was most certainly Grindcore, more accurately "Industrial Grindcore" at least on the debut and streetcleaner abums...grindcore was not just about speed of drums, blast beats etc- it actually was coined to describe the guitars- heavy,downtuned, bleak, harsh riffing guitars "grind", so thats what the genre was described as, by the musicians who were its innovators & proponents.
Obviously with Justin being ex-napalm Death, the attachement was there because he was from the same scene that birthed grindcore anyways.PSI were similar, in the early incarnation. I agree that both bands by the time of album number 3 were less grinding in the guitars dept, and as they became more adept at programming their drum machines, the music became mroe beat driven, and at that point both bands became morre accurately described as Industrial metal, not grindcore.

Earache & The New Breed of Thrash.

Question: Has earache spotted somthing the rest of the world hasnt signing so many uk thrash/crossover bands in such a short space of time sss and evile by name? out of interest is earache interested in the bands that are left at all eg suicide watch ( formerly stampin ground), gamma bomb and nebukadnezza. From:

Answer: We've been spotting something for years, namely good original metal bands of all varieties.
Muncipal waste were signed in 2004- there was no media talking about a New Breed of Thrash back then..it was unheard of to embrace such a long lost genre as 80's crossover thrash.


As for Evile- they have been quietly playing storming sets to a handful of fans for 2 years,i was lucky enough to see them at Nottingham's junktion 7 club, where DEADFALL were ace too (but we didnt attempt to sign them, due to line up problems), and then the killer was seeing Evile at Bloodstock open air 2006 where they destroyed the tent with their devastating early Metallica meets Slayer perfomance.



SSS also came to our attention and we loved them from the get go- like The Waste, they are spearheading the more crossover-thrash vibes.Excellent stuff to circle pit to.


As for the other bands- we like GAMA BOMB and are following their progress.

So, YES we are pleased to announce-

THRASH IS KING!!

THRASH IS BACK!!

Napalm Death 1 second 7 inch

Question: I work at a radio station and we often get old LP records as donations to put up for sale, while i was going through a box I discovered a Napalm death/Electro Hippies single ( Side 1. You Suffer, Side 2, Mega Armageddon), with 1 second of music and scratched text on each side. I looked in vein for more information about it online but came up emptyhanded.
What was it all about? I\'d be interested to know

Thanks From: wlewies@gmail.com


Answer: thats our world record 7 inch single from 1989. Its the shortest single ever released, and was given away free when we did a compilation called "grindcrusher".Worth a few quid on ebay probably, tho about 8,000 copies do exist from memory.Wired mag recently namechecked the single as a forerunner to snack size culture which is the current vogue, ie short attention spans.

Muncipal Waste- are they actually thrash?

Question: is municipal waste a thrash band or a crossover band? From: turdburglar22@yahoo.com

Answer: well the virginia 4 peice certainly DO PLAY Thrash in my book!But you are right- Municipal waste do play the more punky crossover-thrash (think DRI, suicidal tendencies, Accused from the 80's wave)rather than the more straight up metal-thrash played by and made much more famous than the crossover thrash by the likes of the big 4 thrash bands of the 80's-Metallica and Megadeth etc.

Basically bands like Municipal Waste are injecting a new youthful energy into a long lost genre- they emphasise the fun aspect of metal,and crowd surfing/circle pits are all part of the fun. watch for the new MW album "The Art of Partying" due instores on 11th June.

Does Earache sign One Man bands?

Question: Dear Earache Records,
Do you sign one man bands? In the vein of Burzum and Nine Inch Nails? Recording, I play, write and record all of the music, but I have a band that I tour with, on occasion. On all recordings, it\'s only me playing and writing the music, but on stage, there are five of us playing my music. Do you sign bands of this nature? If not, would you? From: the.true.deathcrush@hotmail.com

Answer: yes we do, there are quite a few examples of bands we have signed who are just one person...like Mortiis, The berzerker, ultraviolence- in fact many of the hardcore techno/industrial acts we signed are one person acts,the main thing all these bands have in common is they are mostly computer/programming/sampling type acts, or rather used to be.We sign bands based on their originality and quality of music, not how many members are in the line up.The problems arise when you have to go on tour..(burzum doesnt have this probem- ;-))

To be honest most bands have a leader, or a person who dictates the direction and music of the band, and its more and more common for those people to declare themselves as "the band", and treat the other musicians as hired hands for on the road work.Sounds like you are one of those?

I personally dont agree with it..it might work fine for a time, but as your band gets bigger and tours more, because their is no commitment for the hired hands, you get a revolving line up on stage that changes from tour to tour.


I dont think fans appreciate getting a suprise line up - often unfamiliar faces-on stage each time.

Earache bands in the Guinness book?

Question: I\'m sure I remember hearing that Brutal Truth were/are in the Guiness Book of Records for the shortest promo video or something similar.
Is this true, and are any more Earache artists featured in the pages? From: Evil__Jeff@Hotmail.com



Answer: Earache has had two bands featured in the famous book of world records.Napalm Death's 7 inch single from 1989 was the worlds shortest single- clocking in a 1.5 seconds.In recent years we had Brutal truth included in the book for the record of worlds shortest pop promo video clip.For Collateral Damage clip, clocking in at 2 seconds.Beat that!

demo bands- Fatal Taunt & FUBAR

Question: Hello, my name is Sean Howells. I am management for SB promotions and am contacting you as i feel that i have two of my bands ready for singning. Please forgive me for being short but i shall get straight to the point.

If you could PLEASE check out my top 2 bands webpages which has demo\'s on both and contact me if you have any interest. If you have no interest, some hints and tips for them, feedback would be VERY appreciated. The bands are named Fatal Taunt and FUBAR. Their site addresses are :

http://www.fataltaunt.com

http://www.wearefubar.com

Thank you for your time and effort in reading this. If for any reason you would like to contact me my details are :

Sean Howells
SB promotions management
tel : 07983548448

Hope to hear from you soon. From: sbpromotions@ntlworld.com

Answer: hi Sean, well you are certainly in the right place as it seems Wales is a hot-bed of talent at the moment- has been for years actually..dunno whats in the water, but there seems to be a production line of bands coming thru- and many labels' A&R activity is centred on South Wales, thats a fact.The link you sent for FUBAR didnt work- D'oh! you fell at the first hurdle dood! BUT- i searched around and found them on myspace instead- and i'm glad i did, i enjoyed their music more than Fatal Taunt to be honest.We have no interest to sign either band, because they both are not what we are signing, and seem to have no ready made scene to slot into..but the singer of FUBAR has a good voice and thier songs are stronger than most new bands...the drummer of Fatal lets them down imho..its kinda out of time in places which rules them out right away.I thought it was cool that the FUBAR singer wears a cardiff city football team shirt- an individual touch -as many rock bands do not ever wear such team clothes, to not alienate fans from other cities...so, I wish you the best with them.

No Sabbat on Earache in 80's?

Question: Digby-why are you thanked on certain sabbat albums, but earache never signed the band did you help set them up with gigs or somthing when they first started or are you just friends with them. Also did you ever consider signing them when they were first around considering they were one of the bigger bands from nottingham at the time. Also i was talking to a staff member at a games workshop store and they said that GW at one point tried to set up a label to release \"gaming music\" with earache\'s help is this true? From:


Answer;I guess it does seem a little odd that Earache did'nt sign one of Nottingham's leading Metal bands in the late 80's era.The reasons are twofold really- 1) I saw them play really early on as Hydra at a pub in Nottingham but the spandex pants they wore were cringeworthy-in truth, my head was more into extreme hardcore punk bands who sang about political lyrics, such as Napalm Death & Heresy at that time plus 2) I had'nt actually got my label set up properly before Sabbat broke through- i had barely released 2 or maybe 3 records, it was still a bedroom operation.Seemingly,In the course of a few weeks,Sabbat went from budding local hopefuls to Kerrang cover stars-due to the founding editor of kerrang- Geoff Barton- taking an immediate liking to their unique style.A lucky break which propelled them to a deal with the well-established Noise records in Germany.I dont remember them thanking me on any albums, but Nottingham has always had a small tight scene, so our paths used to cross a bit, espcecially as members of Earache band Lawnmower Deth were friendly with Sabbat, coming from the same North Nottingham villages.
What was weird was that much later, when Return To The Sabbat formed, in 2001 or so, Earache declined to sign them.


As for Games Workshop- we did work with them in 1989 licensing the cover art for our Bolt Thrower album.This was prompted by the band themselves, because their name is taken from a GW game, personally I didnt know what Games Workshop was-it was a blast to work with such a hive of creative talent-GW were a local small independent fantasy wargaming firm at the time, not the corporate behemoth they are nowadays, so such a deal was easy to do.My recollection is that Bolt Throwers album actually sold quite well thru the GW stores, which prompted the marketing guy there to try their hand at doing a GW themed record label, with the first and i believe only signing of hard rockers D-Rok, who had a short lived career.

What do we look for when signng a band?

Question: In signing a new band, if the task were ever to strike you, what typically would you look for?Recording skill? Musicianship? An active band who tours regularily? Please respond and feel free to add any other qualities or guidelines that you would wish for. Thank you.
Yours Truly,

ORB DECAY.

Answer: Man, we get asked this question maybe 5 times per day, its all you guys think about!!..if I wrote a book called "How to get your band signed to a Record label" it would be a bestseller, I think.Having signed maybe 100+ bands in the extreme metal genre its hard to analyse what factors got them signed, to pass on the info to you, but i'll try...y'know, In this era of myspace and social networking sites and mp3 downloads its kinda arguable that bands dont actually need to be signed to a label anymore.The ultimate aim is to gain fans- which if you do it well enough, will make the labels come running to you.

Its a given that your band must be tight, proficient musicians, team players, hard working-and you must tour- bedroom bands are destined for obscurity. What bands often dont realise is what the standard of the competition is like- its a high level out there, the competition to be signed is intense..Earache is literally bombarded with hopeful up n coming bands myspace links, demos, cds every day of the week- we worked out we maybe get 4000 approaches a year (10 a day)- and sign approx 2-3-4 bands from that, so we ae saying "no" most all the time.Most hopefuls are decent bands, but a lot are making the mistake of sending us the first recordings they've done.No band is killer within 3 months of picking up instruments..

Many labels of some long standing are very picky indeed- Earache amongst them- this is a fact many bands dont appreciate-the A&R people at labels are paid to have their fingers on the pulse of whats new and happening in the rock/metal scene, but they are incredibly sheep like, at the same time- so it helps a lot if your band is part of a current trend, or more likely the next upcoming trend.Do your homework about the labels too...if you read that a label is signing bands which are in your particular style, then approach them, rather than labels who are working other stuff.
Finally- even when you do get signed..labels still need you to work even harder than before..as the expectation level ' bar' is raised for 'signed acts'.

last bit of advice i can give is- send a 6-pack of beers in the package with your demo- i'm not kidding! it will guarantee your band a comprehensive listen at the label,plus it will show your impeccable skill in marketing/promotion of your band, which is highly prized.

So I wish you the best of luck with your band.
We drink Stella Artois.

Earache PlayStation 2 Game is OUT NOW!

Question: Hi remember reading an article about a year ago, about an Earache records video game. It was gonna be for ps2 and pc i think. I remember seeing development pictures. What happened to that? From: venturesagogo@yahoo.com


Answer: yes its finally, finally OUT..in UK and across some European territories.USA is still in the works for later in the year. After a slow start ( i guess after a year and a half of talking about it, the extra delays caused some fans to doubt it was actually real) its starting to sell well in the second week, its even in the amazon.co.uk chart for PS2 Games.The developers are currently talking to us about a Nintendo Wii version later in the year and a much more gory 18+ blood n guts version is due out in July too.Some discussions are taking place about adding Guitar Hero support into these later versions.

Sending CD demos to Earache..

Question: Hi,I need an address(not web)to send you my band s promo-album with a biography an a letter from me to give you all the infos,please dont ignore this,the album is really good,i think you should listen it,give us a way out from the stupids we got around,thank you all anyway,bye From: fran.martino@hotmail.it

Answer: sure-we do accept demos on CD- but a myspace link sent using our form on the contacts page is better. send CD to

Earache Records A&R
Pox Box 144
Nottingham
NG3 4GE
UK

thanks and good luck.

Skindred- formerly Dub War?

Question: Do you happen to know how to get in touch with Skindred - the band formerly known as Dub War?

-aztrid From: aztrid@gmail.com

Answer: Yeah Skindred is the new band formed by the members of Dub War (who recorded 2 albums and numerous singles on earache in mid 90's).They play a similar style of punk-ed up ragga metal, but are getting much more successful than Dub war were. As it happens only Benji the singer remains from the Dub war line up.Jeff and Ging now work as production team in South wales, and actually recorded the early Bullet For My Valentine demo(as Jeff Killed john).You can check out Skindred on myspace

Favourite Earache release?

Question: Kind of a stupid question, but I was curious. What are your favorite Earache releases? Are there any that you really dislike, or wonder what you were thinking when you released it? From: johnwalbridgeiv@yahoo.com


Answer:I've been asked this question a few times over the years- out of the 300+ titles Earache has released in 20 years, my all time favourites are Napalm's Scum and Carcass' Reek and Terrorizer's album, and i can honestly there are none or very few which i actively dislike..most bands have been carefully selected after much consideration, after all, and i personally signed their contract, so its a given, I must surely have liked them.Out of the newer bands- faves are Berzerker, Akercocke, Deicide,Ephel Duath, Municipal waste,Cult Of Luna, Biomechanical, Decapitated,Evile.

Generally, i tend to like our more out-there, more unique-sounding releases, most titles in the catalog are groundbreaking in a some way, sonically, lyrically, or in terms of the scene they represent, sometimes it might take a decade or more for the music to be accepted as such tho!!.Earache traditionally is ahead of the curve- we actively dislike to jump on anyones bandwagon, to mercilessly sign a string of bands sounding like the latest new new thing- we just dont do that.We prefer the mavericks, the outsiders, the bands unafraid to try somthing different.

Bands which i loved the most are some of Earache's least succesful..like OLD, Ewigkeit, Shortie.All unique, forward thinking and extremely talented musicians, but cruelly overlooked by fans at the time of their releases.

No Glen Benton on Deicide Euro tour?

Question: Why Glen Benton did not show in the venues in Spain and Portugal, on European\'s Deicide tour?!? From: bradifasik@hotmail.com


Answer: He is in Florida attending to a court case to do with matrimonial/custody matters- it was meant to end a week or so ago, and it was hoped- even reported- that he would fly to Paris to join the tour, but other circumstances have caused further delays to his departure date. He will join the tour at some stage,Glen is desperate to travel and play for the fans in Europe, we hold flights daily to diferent cities in case he can finally leave.Meanwhile the rest of the band decided to show their commitment to the fans and promoters on this tour by carrying on so, they recruited a new singer from Polish band Dissinter, who is doing an admirable job filling in at short notice, fans are seemingly happy to acknowledge the bands perseverance in pretty unusual circumstances.
Deicide are actually Earache's most toured band-with Glen they have played approx 200 shows in the last 2 years, travelling across the globe to places like Korea, Australia, new zealand, plus numerous USA and European tours.Sometimes personal matters infringe on the best laid plans, I'm afraid.