(Metal + Punk) x Shred= BONDED BY BLOOD!

Question: Hey guys how are you doing? I recently discovered BBB from a youtube video I saw of their guitarist. I will get their album once its out here in the US. I\'m a big vinyl collector and I was wondering if there will be any vinyls of this album? Another quick question, Why are the UK and US dates so far part from each other? Anyways, I cant wait to see them Live and get the Album from what I heard on Myspace they are great. Music is played very tightly and they sort of have a punk attitude. Definetly a band to look out for. Im tired of the rest of the California scene BBB is a breath of fresh air. Thank You Earache.


-Fred Swanson




Answer: Welcome Fred! Glad you checked out BBB and like what you saw- you are damn right, they are a remarkable new band...I am playing the album constantly and It is simply devastating-hands down, the best of 2008.
FEED THE BEAST is true modern crossover--its a mix of classic punky snot-nosed attitude (some riffs- Mind Pollution or Civil Servant- remind me of old UK punk legends EXPLOITED) with tight, thrashy REAL DRUMS, which actually sound dynamic and lively, instead of the triggered/processed crap which passes for drums in metal these days.. and to top things off is the stunning OTT guitar shredder that is Mr. Alex Lee (who is incredibly humble about his amazing talents) which makes BONDED BY BLOOD a unique band in the new Thrash scene, and one, lets not forget, barely out of their teens.
To answer your question: CD is out JUne 24 in USA- hurry to get the 2 xtra tracks edition, June 9 in UK..the album is now on sale on Itunes Europe.Vinyl edition is coming ina few months- you'll have to get the CD first dude.The delay in the vinyl is so we can see how BBB sales are going- it will make us decide how lavish the Vinyl should be- either 2 x LP gatefold or single pic disc.Vinyl does not always sell out we find..its a tricky format to sell as retailers do not generally carry it, its a direct sale thru the mail usually.

How big is a BIG metal act??

Question: my band recently played to 150 in my home town, we regularly get good crowds even out of state.MY question is, how big do we have to get signed to a label like Earache? From:


Answer: Thats a tricky one to answer, because "bigness", like beauty, is in the eye of the beholder.150 kids coming to your shows is impressive in some ways, but it depends what kinda kids are seeing you-if its just family & friends you might be in the dreaded "local act circuit', in which case you are kinda stuck.Every town has them, even major cities like New York and London have their share of local scene bands, who draw impressive crowds, but never break out on the road, even regionally, and consequently don't generate any wider, national buzz or create new fans.

In Earache's own home town of Nottingham UK, there is a thriving 'local band scene'where some bands play maybe 4 times a year, and are treated like legends in the town.For these special events, they invite all friends and family, and its like a massive private party- the band knows personally everyone in the crowd and ham it up to the max, and everyone is entertained- after the triumphant show, they simply can't understand why Earache doesnt 'snap em up' immediately..Its cos they are too local.
Many local bands dont take the show on the road, preferring to lap up the adulation on the doorstep..so it doesnt grow any bigger.If the same band played even 20 miles down the road at say Derby, the crowd would be 5 people.
The bands Earache signs have to have wider appeal than being local 'superstars'.

Entwined -UK metal band from 98?

Question: So...Entwined is under your label. I followed them while they were underground almost four years ago, but then they kind of disappeared. No new albums or anything. What happened to them? From: lessismore@live.com

Answer: Well i think you have a memory-lapse dude, cos you mean more like 10 years ago surely?.In actual fact Earache did one album by this short-lived Uk gothic-tinged metal band in 1998!! No one really cared about them at the time,fans never embraced their type of unashamed METAL (they were ahead of the resurgence in true metal) hence the short lived career.Y'know, you might well be the first person to mention the name in a decade to us.We have no clue what the ex-members are doing now, its a fair bet they are not in music, and have 'proper jobs' now, because they were smart, educated dudes. heres a interesting WEBSITE circa 98 that was operating in 1998, and is still online- a real time capsule glimpse into what a metal bands website looked like, circa late-90's.

How To Get Signed- part 32,976

Question: heyy guys, i was wondering what we need to do to get signed by you guys. we\'re a new band in south east london, and we could really do with being signed. what do we need to do to get your seal of approval? thanks From: devil1000@hotmail.co.

Answer: Simple answer is write great songs, and tour them, and tour them some more, and keep touring- and if the lucky breaks go your way- right sound, right time- then its possible you might get signed to Earache or any label.One thing new bands have no clue about is the sheer number of other bands clamouring for the same thing....we get approaches on a daily basis- dozens- so up to 4000 bands yearly come to our attention...and since we only sign 4-5-6 bands per year, the simple maths says to be signed you have to be better than the 3995 others.its TOUGH ODDS, but some bands do fit the bill for this label, and they do get signed, so its not impossible.Read more on this topic HERE

Doing Business with a Label?

Question: My question requires a little backstory:

In \'05 I recorded a demo EP on my computer as a hobbyist project during college. Instead of sending it to labels, I posted MP3s online. Within a year my popularity online had grown from a few listens a day to tens of thousands daily as the demos peaked in in \'06. Since then I\'ve been asked to play the lower 48 and the UK (I\'m in Alaska), got a major retail distribution for future material, a small record deal, and met some helpful contacts. All I did without having a flying clue how.

Now \'08, I\'ve spent two years learning all I can about the music industry. I figured if I made an
impression accidentally, then an intentional plan from a business perspective would make for a
successful artist entry in an otherwise boring US rock scene. Now I have a producer and a studio,
we\'re thinking about the best way to do this independently.

Pay-A&R companies are useless, they\'re not metal/hard-rock knowledgeable. There\'s only a few
artist-friendly labels I trust (Earache having the best reputation). Is it possible for an indie
artist to contact a label through a business proposition? We need no help monetarily, but labels have staff that could advise us on PR, production, A&R, and bring to our attention what I\'d miss on my own. For indie artists seeking professional genre specific help, is it possible to propose a business collaboration with a carefully chosen label? If I wanted to contact Earache\'s US branch, who could I talk to for a few minutes to bounce my plans off of? Is contacting a label from a business perspective an unheard of approach?


From: quirkphinder@yahoo.com

Answer: I cant quite figure out what you are asking dude..the USA office number is 2128409090 ask for Al Dawson, the label manager, he can help with your enquiry.We are a real label with a real catalog and real staff and real distribution into CD stores - its a given that we have real knowledge of career development in the metal field,touring, merchandising, promotion etc its our daily work - all day, every day.
A fact i have repeated many times in this blog and many new bands have no clue about is that competition to get signed is beyond extreme.we must have 4000 approaches per year, and sign maybe 3-4-5 bands maximum.Its like that for all labels...the odds are stacked against any new band, its often sheer luck and 'right sound, right place, right time' that is the difference between signed and unsigned.Taking 2 years to think about it might not be wise.
I for one have never heard of "Pay-A&R"- i guess thats folks who take your money and promise to offer advice or shop your demo to labels?As a label boss, Ive never been impressed by folks touting bands- we prefer to deal with artists direct, because we have a better understanding of the artist that way, we prefer to work with creative people, not suits.
I *THINK* you are saying that you have already have some success, with thousands of mp3's downloaded, without much effort, so you are planning to try to go at it for real, and simply need advice, and not financial support.My 2 cents worth of advice for any band is 1) write great songs and 2) tour 3) tour 4) tour 5) repeat.

Sub-Pop and Fudge Tunnel connection?

Question: why do you think it is out of all the earache bands it was godflesh who clicked better with the seattle scene than any of the others? If you look at pictures of bands from that scene during the 90s theres either a godflesh shirt on a band member or a poster on the room that they are being photographed in, and didnt nivarna take gf on tour? I would have thought fudge tunnel would have clicked with that scene better personally but didnt they try to distance themseleves from it? From:


Answer:It was about the timing i think. The Sub-Pop driven grunge scene, before it exploded and its bands went onto world superstardom, had many of their debut albums in the UK indie charts in the early 90's, as Earache did too.Tho we were on 2 different continents, we were both making waves in the Indie rock scene, so we had a certain affinity, from afar, with Sub Pop for a year or two.We also knew the guy at our UK distro Revolver - Gary Held -who released the Sub Pop stuff here on Tupelo records, so we had a inside contact.
Nirvana never took Godflesh on tour, but i think Fudge Tunnel might have at least supported a Sub Pop band on an early london show once.Godflesh were asked to record for the sub pop singles club and 'Slateman' came out on 7inch on Sub Pop, Fudge tunnel were more intune with Amphetamine reptile bands like jesus lizard or Helmet...so we kinda had a few tenuous connections with those early 90's USA labels for while.Obviously everything changed soon after 'Nevermind' was out, Nirvana had become the biggest band on the planet, and our paths never crossed with sub pop ever again.

Biomechanical - Cannibalised faulty sound of CD?

Question: Hi there, first of all I\'d like to congratulate you guys for pleasing our ears with such great artists. The reason I\'m writing to you is in regards of something that\'s got me really worried, otherwise I wouldn\'t be writing to you at all since I don\'t tend to do this kind of stuff. The thing is that I bought Biomechanical\'s Cannibalised (love the band) when it came out (I\'m from P.R. so had to go to the hassle of ordering it) and I was just wondering if you guys have had any kind of complaintabout this album because the production is really really bad and the music can\'t be understood at all, I\'ve read about this on some reviews posted on the net and most people are complaining about the same matter. I\'d just like to know if there\'s any plans of remastering the album because I\'m dying to listen to the new music. I\'ll be honest, can\'t even understand the guitars let alone the voice, can\'t even tell what notes they are in, specially John K\'s.
Please, if there\'s anything that can be done with this matter I\'d really appreciate it as well as many (heard of some people downloading instead of buying because of this matter just to take the taste of the music)other Biomechanical fans.
Thanks a lot, G. From: jeechr@gmail.com

Answer: Ahhh bless your delicate ears..this is intense extreme modern heavy metal so better get used to it bro! We know what you mean but there is no plans to remaster the CD, it sounds as the band wishes it to be...Cannibalised is a highly futuristic, almost experimental, extreme listening album!We even had a warning on the promo CD so that journalists would realise its MEANT to sound that way, the album is called Cannibalised after all- slow ballads would not suit the concept.Biomechanical are a different animal on this album than on previous Cd's- i'd term them extreme heavy metal.The CD is not faulty, its produced by the band, mixed by Chris Tsangarides (Judas priest) and mastered by a top london mastering house, who did Sex Pistols, The Who etc.The mainman John K wanted it to sound agressive and angry and also to have cinematic, orchestral parts which the band are famous for aswell, tho those parts are in short supply, i agree,...I'm sorry if you were not expecting this type of sound from the band.The label was also shocked when they delivered the CD, but on repeated plays the picture becomes clearer and the frantic million mile an hour riffing begins to make sense.

INDUSTRIAL METAL BANDS on EARACHE?

Question: I discovered Earache back in \'00 not through the extreme metal bands you\'re famous for, but through the more electronic based artists like Mortiis and Pitchshifter. It was actually The Berzerker that got me interested in death and grindcore. Industrial-based bands are generally few in proportion to the amount of metal bands on Earache... do you still look for bands of that ilk these days? From: quirkphinder@yahoo.com

Answer: yeah Earache had a few years when i was a massive fan of the industrial-metal genre..Ministry and also The Prodigy were the bands that opened my eyes to the power and flexibility that electronic drums allied to guitars can produce.The production on their albums was pure power..mainly because it was digitally derived. Nowadays we have less bands like that- berzerker was the last one - and also the less extreme Society 1 (matt zane pictured with hooks in flesh)- because the style of the scene is changing fast and in some ways the electronic drum sounds themselves seem dated, to my ears at least.New recording techinques mean that analog acoustic drum sounds can be as powerful as digital these days- and infintely more varied aswell..meaning digital drum sounds are pretty much passe.

NAPALM SCUM LP BLUE SLEEVE?

Question: Napalm Death :Scum LP with BLUE SLEEVE
Hello , was this Scum LP with Blue sleeve really ever sold ? ,in the last 19 years i have sean hundrets of copies with GREEN + YELLOW sleeve , a lot copies with the Orange/red and the Splatter Vinyl with GOLDEN sleeve but not 1 single copie in BLUE ,and cause the fact the 1987 > 1990 was still a good time for VINYL i can\'t expect they exist only 100 or 200 copies... Did You maybe have a good PIC of the blue one ? ,THANK you( i,m working
on a German collectors data base www.musik-sammler.de and my user ID is ZZOOOUHH ) From: zzooouhh@gmx.eu


Answer: yeah i guess it is rare - not many have seen it BUT i am holding one in my hands in the pic, to compare to the regular lime green standard version..it was released on blue sleeve, maybe about 500 copies in say 1988 or so. see pic for proof!
and heres a collection submitted by a reader of the blog- IMPRESSIVE!

NAKED CITY

Question: HI

I HAVE THE NAKED CITY ALBUM TORTURE GARDEN WHICH I AM TRYING TO FIND SOME INFORMATION ABOUT BUT WHEN I HAVE LOOKED ON YOUR WEBSITE THE ONE YOU HAVE LISTED HAS A DIFFERENT COVER TO THE ONE I HAVE. ON THE RECORD IT STATES MOSH 28 B\'2.

IS THIS A REISSUE AND WHAT YEAR IS IT?

THANKS


Answer:we released the Naked City album "torture garden" Mosh 28 on gatefold vinyl Lp and music-cassette (but not CD) in 1991.the cover pictured on our site is wrong, its the version on Cd released by USA label shimmy disc at around the same time.The band chose to have two different labels do the record on different formats.The image accompanying this post is the cover of the earache edition.Sorry for the mis-information!

IS EARACHE INDIE?

Question: are you guys totally indie or do you have some sort of major backing. i\'m doing a report for class so any info on that would be aweosme. thanks!

Answer: We are about as indie as they come.The label is still 100% owned and controlled by the same muppet that started it in the bedroom, me.Its highly unusual for labels that have grown this size and been around so long to be without any Major label stake.The major labels- the 4 that are still responsible for over 75% of the worlds music sales- Universal, Sony-BMG, warners, EMI- do have a history of getting involved in big selling Indie labels, but Earache has pretty much operated under the radar of them, we've not had a huge act to attract their attention- just a series of pretty legendary and innovative metal acts through the years.We do currently use 2 majors for their distribution networks though- EMI in USA and Warners in UK.

LAWNMOWER DETH MEMBERS?

Question: Is it true that Qualcast used to work for Earache and his real name is Pete?

Answer: Lawnmower Deth seem to getting a bit of attention again lately- UK's Metal Hammer mag even asked for a track on last months cover-mount Thrash CD- we gave em Urban surfer 125.Lawnmower Deth were a much-loved Nottingham area UK thrash band circa 1990-96, mostly specialising in humerous, frantic songs with loads of crowd participation at their gigs ( witnessing 800 people doing the dying fly at rock city was a sight to behold).The members actual identities were shrouded in secrecy- going under stupid pseudonyms- but i can reveal that the singer Qualcast Mutilator did indeed work at Earache records during that time.Pete Lee was our press officer, and a ruddy fine one- Pete co-ordinated the press and promotion of Earache's legendary bands during the early 90's explosion.

Since the band split, sightings of the ex-members have been thin on the ground.. guitarist Paddy can still be often seen at death metal gigs in Rock city.Kev (Baron Von stench Chisel marbles) moved into tech-ing and became tour manager for Bullet for my valentine,he's one of the best in the business, so is constantly on the road to this day.Pete Lee moved into normal jobs, he sells interactive whiteboards to schools. I have a gut feeling a one off re-union gig will not be too far away.
But for now, heres a glimpse into their most famous moment!

CARCASS- 5 DVD documentaries coming up soon

Question: I have preordered the latest Necroticism reissue. What I was wondering about is - what is the release schedule for the other reissues? I am really anxious to get their full discography and watch the entire documentary :)

Answer: Carcass were interviewed - all members, in liverpool and london and in various locations- for a few days in september 07, and the resulting documentary film is 2 and half hours long.It charts the history of the band from 1988's gore-soaked grind beginnings to the major label-bound Death metal chart act which split up in 1996.The whole story is told in the bands own words.The documentary is split into 5 parts- and called THE PATHOLOGIST'S REPORT. Each part comes as bonus material DVD in USA or DUALDISC in UK/EUrope on the reissue of each of the bands 5 albums which is taking place from April (with necroticism) then every couple of months, heartwork, reek, symphonies, and swansong, till the end of the year. So the parts are released in a strange sequence- parts III, IV, I, II, and finally VI.The crazy thing about the documentary is it goes into great detail of the career of the band BUT DOESNT MENTION THE REFORMATION, as this was not announced until the end of 2007.In some ways the actual getting together for the DVD was the spark for the band to reform we feel.

CARCASS- original CD made in France-??

Question: Good afternoon! My name is Dmitriy. I am a collectioner of CD\'s of extreme music from Russia. Please, exuse me for me bad english. About 1991-1992 I bought CD Carcass - Symphonies of sickness MOSH 18CD with bonus tracks and original cover with meat collage and without logo of carcass and without title of album on the first page of booklet. I have the following problem and question:

On the back inlay of my CD where is following information:
MOSH 18CD, 5 018615 101826, Made in England.

But on CD (red picture) where is following information: MOSH 18CD, Made in France by MPO,
Published by EARACHE SONGS U.K., C 1989 Earache records, p 1989 Earache records.

CD Matrix is: Mosh Cd 18 MPO 07.

Please, help me! I do not understand what does it mean? CD made in France and artwork made in England or not? Is my Cd is a right first pessing CD
or not? I hope, that your specialists help to me. Best regards. I am fan of Carcass, Napalm death, Municipal waste, Filthy christians, Terrorizer and many other Earache bands.

Answer: yes indeed this is an early first pressing of the Symphonies of sickness CD by Carcass.Back in 1989 this was a time before the EU! and each seperate country of manufacture was required to be published on the packaging.As you rightly point out, the cd was made in France at MPO plant and the booklet/artwork was made in England- at senol printing.Nowadays the artwork probably says made in EU.

Wanna send us a demo? READ THIS PLS

Question: Given the nature of this label (extreme underground), I assume that the office is beseiged with demos, to the point of resembling one of the ten plagues. Wishing to become one of these plaguers, My question is: Where to ship a demo/ finished album to Earache for consideration? what does the label want included? (i.e- bio, contact info, scary pictures, porno apperances,etc.)


Answer:Sorry dude we have enough plaguers already.. we simply want your myspace url sent using the form on our contacts page (click link to submit your demo)

Cathedral CD + DVD release?

Question: Is there any chance you guys might reissue Cathedral\'s \"Forest of Equilibrium\"? The remastered tracks from \"The Serpent\'s Gold\" were stunning. Maybe a Dual CD/DVD? A doomster can only hope....

Answer: yeah its quite possible we will release this.We are doing a whole slew of Re-issues of our "classic" back catalog titles with FREE DVD- so far its been Napalm Death, Haunted, Entombed- and soon At the gates with never-before seen live gig from 1995, and also Deicide with never before seen gig on DVD.Carcass are having their entire 5-album career issued as CD=DVD editions aswell. So- Cathedral fit the bill-Doomsters should watch out for it!

Deicide & Vital Remains

Question: another question about deicide members, being as ive read before on this blog how earache signs musicans not bands. Id like to know how glen and steve get away with playing in and composing for vital remains because surely thats your investment composing for another label being as steve is the main song writer for deicide. although could this be argued the other way when tony and steve helped out with deicide? thanks


Answer: Nearly every musician we have ever signed always seem to have another band or project on the go, besides their 'main' band.Deicide is no different.Steve has a rock band in the works, Jack is in Adrift, Ralph is in Obituary, but also has a project featuring many famous guitarists underway, Glen helps out on Vital Remains CD when they are recording, even tho VR are signed to Century Media.Dave Suzuki from Vital helped out on a Deicide DVD aswell.Its all done in a friendly way.
Glen also appeared on the Roadrunner United 'All stars" album a couple of years back.None of these things concern us because its really typical of most musicians these days- collaborations and friendships seem to spring up all over the place and members join/help out other acts, on other labels -all the time, especially in the old-school Florida Death Metal scene.We are pretty accomodating about it.Usually the projects provide a little extra quick income to the musician and it doesnt bother Earache so long as the main band is still the major focus.
In all my years, I've yet to see a project band 'take off' and sell more than the main band..tho Vital remains sells well, but its not a project of Deicide, its a functioning touring band in its own right, with glen on guest vokills.
The labels that have exclusive deals with musicians (as Earache does) could prevent such ad-hoc projects, but since we actually encourage people to be creative, we go with the flow.
Actually thinking about it, i think perhaps the ONLY musician we have ever signed who DID NOT have a project band was Trey Azagthoth (Morbid Angel).That shows how singleminded Trey is towards his main band.

Earache's bands going onto Major labels?

Question: Hi, i am doing a dissertion at College on music business management. I would like to know, how many of your bands are on Major Record Companies?

Answer: Right now we only have one band who Earache discovered and released,who are currently on a major record company. That is Linea 77 who are on UNIVERSAL records.
EARACHE has had a pretty remarkable record of our signings going onto Major companies.At the last count, its 13 bands.Out of a total of approx 100 bands signed, thats a better than 1 in 8 chance of progress to a major after a time on Earache.

In the 90's:
MORBID ANGEL- Giant/warners
CATHEDRAL- Columbia Records
NAPALM DEATH- Columbia
CLUTCH- Atlantic Records
SLEEP- London Records
ENTOMBED- East west Records
CARCASS- Columbia Records
FUDGE TUNNEL_ Columbia Records
GODFLESH- Columbia
JANUS STARK- Trauma/MCA
SKINDRED (DUB WAR)- Beiler Brothers/Warners
PITCH SHIFTER - Geffen

Currently on a Major Co:
LINEA 77- Universal

Ralph in Deicide? Nah...not this week.

Question: is ralph santolla a member of deicide or not?

answer: No he's not in Deicide, he's in Obituary, well as far as i know, this week he is...Glen Benton publically fired Ralph from Deicide in early 2007- we dont know the reason but something happened in South America tour - but by late 2007 Ralph had seemingly agreed to appear again, strictly as a guest musician- so consequently he added his riffs and solos to the upcoming Deicide album TILL DEATH DO US PART strictly as a guest guitarist.Ralph also played on the last Deicide album, and had previously lent his undoubted guitar virtuoso skills to DEATH and ICED EARTH, in the 90's.
To be honest Deicide is truly just the duo of Glen Benton and Steve Asheim, as the originators of the group they decide what goes.Every musician 'joins the band' on a project by project basis, with the discussions, financial matters, and the hiring and firing led by Glen Benton as he sees fit.
Ralph got his knickers ina twist when our PR department mistakenly wrote a press release that Ralph has "rejoined Deicide" for this new album. I guess he got annoyed cos it made him look bad to his current outfit Obituary.The truth is.. we have no clue who is in Deicide at any time, their 3 albums and 2 DVD's for us have so far featured no less than 5 different guitarists.

Good idea to form a 100% digital label?

Question: Im looking into forming an anti label called core breach recordings and i wonder if you think its fesible, basically not releasing cds( maybe some in limited runs) but selling 100% through downloads, the band sign to the label for promotion and to pay for the costs of recording, ive been told it could work because i wouldnt have to pay for pressing or shipping, however would people be into a label thats working 100% through downloads.


Answer:I think you will have a REALLY hard time doing it right now. Right now our digital sales are just under 10%, and some major labels have digital sales of 14%,mainly through itunes and amazon Mp3 store- Ok those figures are low, compared to the 90% which STILL comes from Cd's.. but any fool can see, digital is certainly growing, and growing very fast.Industry folks estimate its possibly 5 years until all labels are 100% digital labels, so i agree its only a matter of time, not if.

I think the main question for you in 2008, is wether the fans and especially the bands would be into having no physical release at all?You might well acheive a lot of online praise and support from the Anti-RIAA bloggers - the ones who get all their music free from mega-nazi-upload or media-nazi-fire file hosting sites - BUT I think you will unexpectedly find its the bands themselves who will have the biggest problem with a digital-only label.Most acts expect a label to produce something physical- a CD or Vinyl or maybe some USB-stick artefact- in return for their creative efforts.Even Radiohead, who caused such a media storm with the digital-only release of their 'In rainbows' album, well, within 4 months they also have a regular Cd instores and a special collectors box set aswell, so what does that tell you?

Don't forget also, that Bands themselves can upload their own music onto itunes and many other download sites, without a label being involved.Actually, most bands we deal with these days think uploading 3 songs to myspace is more or less 'a release' of their music.I know what they mean, because fans can hear it instantly, the fans can interact with the band about the songs on the comments section, and the band can tour and play those songs live, and even sell T-shirts aswell.Myspace's popularity with fans is immense, and the huge amount of music being streamed for free from a bands own page,means that where a label actually comes into the picture is becoming increasingly blurry.

Stick with our old band - or go for a new one?

Question: What would you suggest to a band that has actually released three albums, with problems with the three labels they have released them, poor distro, promo, and if they are about to change almost all the lineup for the NEXT big step (total dedication)... Should we really continue with that band (with all the work done and recognition that means) or shall we start with something new and fresh? Do you pay more attention to a NEW boom CD of a new band, or is it the same for you being a 4th album (same album i.e.)? Thanks for any advice.


Answer: I would strongly suggest you fold the old band- and get on with the new band right away ,as its your best chance to succeed.Its very rare for a band to be discovered and get big on album number 4, simply because the whole metal industry, from guys who run labels to the journalists who write the magazines are always quick to judge the merits or otherwise of bands from the debut onwards.If after 3 tries, nothing is happening then its time to try something different.If your band has existed already for 3 albums and didnt make any progress, then i would suggest its the band at fault, not the labels.It will be hard to move away from all the energy and creativity you have already placed into the old band...but the clever tactic is to face the fact its simply not happening with fans for some reason, and start anew, with no mention of your previous band.

No love for Narcosis then?

Question: Does earache have a policy of not signing bands of staffers or somthing? as this is the only reason that i can think of why you didnt pick up narcosis when they were around ( didnt chris used to work in your offices a while back), I thought their Discordance Axis on steroids sound would be right up earache\'s street.


Answer:Narcosis? they sound more like DX on bad glue, mate! Ha ha! ;-) Actually, the band were barely even going when Chris used to work at Earache, he worked ( well,i say 'worked") at the office for oh, all of 2 months, and we used to mercilessly take the mickey out of his piss-weak grind band, as well as his lightweight drinking behaviour.
This was before the album "Romance" came out...which when we finally heard it - bloody hell, it certainly raised a few eyebrows round these parts, it was fast as hell and evoked the true spirit of grind- we were eating our words, big style.
Some of the other staffers had seen them live and reported good things, so we began to cast a more watchful gaze over the band.Then out of the blue, they quite unexpectedly split up, so with the demise of the band, that seemed to be the end of the matter. However, I can exclusively reveal to you, dear blog-readers, that Earache will release a Narcosis full discography CD in the very near future, so you were right- it was up our street, only we were too stupid to realise it till it was over.
For a taste of prime quality grind fans can expect check this out: ho ho.

Death Metal-The return. Big for 2008?

Question: Being as ask earache is good at prediction trends ( the new wave of thrash etc), do you see 08 as being the return of death metal to popularity, i mean new albums from desecration, gorerotted and cattle decapitation on the way and the return of carcass has to help the profile of the genre a bit right?



Answer: Yeah you might be right actually-but from where we are sitting,quality Death Metal never really went away- have you heard the SEVERE TORTURE and BLOOD RED THRONE albums from 2007- both are as killer as any of the classic DM albums from the 90's.But i agree the scene is nowhere near the size it was when Earache was releasing the first wave during the early 90's.To be honest the new breed of younger DM bands that promote themselves 24/7 by interacting with their fans on myspace, and touring incessantly - think JFAC and Suicide Silence - they are the ones making the scene healthy now- not Desecration or Goreotted (readers of this blog must know by now, we just dont rate those Brit DM bands- they are distinctly second rate-even tho you lot ask about them all the time!).

With Carcass reforming there is a hell of a lot of vibe about them, considering they last performed in 1995, but we think they will not hang around - so grab your chance to see them in 2008.We have the complete catalog to be re-issued with bonus documentary DVDs on every album, containing indepth interviews with the members who explain the whole story of the band from the humble beginnings in 1987 to the split, including a totally rivetting and moving segment where ken recounts how he felt when he was trapped in a coma for 6 months in 1999.Its must-see stuff.

Red Terrorizer T-Shirt?

Question: Hey I have a shirt that was printed by you guys that I wanted to know when it came out. It is a red terrorizer longsleeve and here are direct links to pictures of it. Thank you for the time.


Answer: yeah this shirt is rare, dating from 1989, around the release of the Terrorizer album "World downfall".I think about 100 were made as Red, just to be different from the regular black shirts which were the norm at the time- its never been reprinted by us.The red Terrorizer shirt was famously worn onstage by Jesse Pintado in the NAPALM DEATH live at Salisbury DVD video from 1990.

Carcass- How to tell rare 1st press LP?

Question: Hello, I want to ask you about first press CARCASS vinyls. How many were released not only on black vinyls. I founded out that there are one Reek of Putrefaction clear vinyl and two, one in normal sleve other in gatefold, red Symphonies of Sickness vinyls. How many more were released in the same time with the original black colour vinyls?

Please note that im talking not about re-releases in 2002, but about originals!


Answer: first press of carcass reek came in black vinyl only- about 3000 copies from memory in 1988.You can tell the difference between the 2002 re-issued LP because the original has NO BARCODE on the back.Also for a joke the record label says MUSH 6 rather than the actual MOSH 6 catalog number.The absolute first copies of the Reek album came with white square-ish sticker proclaiming it to the heaviest and sickest band in the world or some nonsense i dreamt up back then to sell it, that version is rare to find.
For symphonies of sickness the rare original 1989 is single black LP but in gatefld sleeve, and also 1000 copies in red vinyl.You can see the versions pictured on our catalog page.

Dub War Vs Earache- huh???

Question: So whats the deal between earache and the newport south wales scene? its just being in a metal band myself ive been told \" you dont want to send a demo to earache, they fucked dub war\". Did Earache and Dub War part company on bad terms then and has this had a knock on effect on the entire scene, also out of interest does this happen often in the music scene

Answer:Wow thats pretty disappointing to hear...hey, instead of listening to know-it-alls in newport, why dont you ask Benji, Jeff or Ginge yourselves? they still live in Newport.Go Ask them! They had 5 top 50 hit singles during their time on Earache and a release on Columbia in America.So it wasnt too bad. Its funny to hear this because Jeff now and again personally sends me demos of bands who record in his studio- he sent me the Jeff Killed John demo(later to become it mighty Bullet For My Valentine) and Nochaa.Benji visits our office when he plays Rock City as Skindred.
It could be because of the scandalous review in Kerrang of our dub war re-issue, which stated quite wrongly that Dub War were mistreated while on the label.the mistreatment consisted of being dropped due to poor sales and unstable line up, but the band took it quite badly and as a knee jerk back-lash reaction slagged us off in the press including kerrang at the time- 1999 or so.Nowadays they know it was our business decision and have a different- more mature- opinion of their time on Earache.

Napalm Death- could have been like the SEX PISTOLS?

Question: Ok your probably sick of answering thease but heres another napalm question.

I was reading a justin broadrick interview and in it he said that napalm was meant to have been like the sex pistols in that they release one album have an impact and then split, He also said that he belives that scum is too long in that the album was only meant to have been side A and earache pushed for side B. Are thease statements true? or are they just theories of his many years after the events that happened.

Answer: Yeah i know what he means- I agree it would have been more apt and perhaps poetic if the band HAD split after scum...the band was so revolutionary, incendiary and confrontational i think the original members could never have imagined the band still being around in some form, 20 years later. That was quite unthinkable back then...i guess both Nik and Justin thought that having quit Napalm death, the band would naturally dissolve..but they didnt reckon on the resourcefullness of Mick harris who quickly recruited new members and carried on.Mick had a quite pragmatic reason to do this, cos the band was making money and he sensed a career in music was in the offing, he had no other options like joining other bands or a career in academia.Ironically, Mick had also quit within a few years also, leaving a whole new line up to fly the Napalm death flag to this day.
Justin is correct in that the demo that became the A_side was only about 20 minutes, and i deemed it not enough material to release it like that.So a B-side was insisted on- it took many months for the band to regroup and record the b-side material. then the finished album was released as 'Scum".

ND Scum & FETO on Vinyl LP?

Question: I have been looking for copies of the first two Napalm Death albums on vinyl, and I noticed that on your site for the European store, you had a picture disc vinyl of Scum available, however this was absent from your U.S. store. What is the deal, and is there any chance of you sending some copies to the U.S. store sometime soon? Also, do you have any plans for a From Enslavement to Obliteration vinyl re-release in the near future? Answers to these questions would be greatly appreciated. Thank you.

Answer: Both the first 2 Napalm death albums were released on Vinyl LP inthe UK in the 80's, the first pressing of FETO was gatefold actually with a free 7inch disc. A few years later a pic disc of FETO was issued, again in UK, about 2000 copies, but Scum had wait till over a decade later for its pic disc.AS you say, its available to buy from our UK store as it was made in UK, and most of the time we do swap products between the UK and USA stores- but this must have been missed.We currently have no plans to issue FETO on vinyl again.Our interest in vinyl is sporadic and depends on demand, Napalm death's first 2 albums are classics of grindcore genre so probably will be issued again at some point. My advice is- grab them when you see them!

MISERY LOVES Co. DVD?

Question: I have the CD MOSH200, NEXTGEN Tour, which was an excellent tour. I have two versions MOSH200 and MOSH200A, the Pulkas tracks are the only ones that differ, is there a reason for this? Also since your re-issueing classic albums how about re-issueing Misery Loves Co debut album with their NEXTGEN perormance as a bonus DVD?


Answer: Wow, you are going back to 1998 with this one...it was a good year, and as you say that NEXT GEN tour was pretty exciting..sadly none of the bands on that tour went onto major long term careers tho,in fact most split up soon afterwards- which is disappointing, looking back.Anyways, the 2 versions of the comp are because Pulkas started to play legal antics with us, in an effort to get off the label- some demo tracks were removed, as the ownership was in question.This was answered elsewhere a while back on this blog. As for classic albums- yeah i agree with you! MLC debut was and still is a classic (i liken it to Fear factory's demanufacture, but more experimental)- like a lot of Earache titles, its now considered classic but at the time was not really picked up on by fans in mass numbers- only those that truly know about music tend to delve into the underground where earache resides.yeah we have the footage from that 1998 show and might consider it for a DVD release. Singer patrik from MLC is now a respected music journalist in sweden.

A&R opinion of bands on Myspace

Question: Surely you guys receive more demo submissions than you probably know what to do with... When Earache looks at a MySpace link from the demo section, are things that coincide with the music such as view count/image/presentation as important to you as other mainstream labels? Or does Earache rule so much they just like what they hear?

Answer: Nearly every band we look at on myspace now has 10,000 friends and 100,000 playcount and a neat CSS background and cool graphics and merch.Bands tend to blend into one another ans almost look and sound identical BUT we pretty much judge bands on the quality of music- the style, originality, level of professionalism.When we started to sign the new school Thrash bands the only place they existed was on myspace, but none had a great many plays or slick web pages- what attracted us was the music- it was good old fashioned A&R skill and sleuthing that alerted us to the potential of these bands.
To be honest most labels nowadays are doing A&R solely by myspace play count...or a basic search of myspace "unsigned" by descending playcount order- any monkey could do that, and many labels have hooked up with many bands in that fashion.

Earache PS2 Game in USA?

Question: I have been waiting almost 3 years for the PS/2 version of \"Extreme Metal Racing\" to be released in the USA. Is it finally going to be released next week or not?


Answer: Sadly the publisher of our game in the UK-METRO 3D is mostly a publisher of kids and budget range games (we knew this when we signed on with them for the earache extreme metal racing game) so has no major distribution outside UK.However, recently it announced a series of Wii games for the USA, but strangely did not include the Earache game in the bunch to be released. So we have no date for the USA release, sorry.

Earache influenced by Factory Records?

Question: on the scum dvd mick talks about how early napalm was influenced by joy division. Did that influence extend to earache at all in respect of joy division\'s label factory, they did sort of put together a step by step guide as to how not to run a record label long term however they did show how it was possible to be independent, so were they an influence at all? From:

Answer:If you check out old interviews,members of original Napalm Death would frequently cite influences from Joy Division, Swans, Pixies and Slab, aswell as the obvious death metal and grindcore references.Looking back I reckon they rated them for the emotional intensity within their songs, as the rest of the 80's indie rock outfits were too twee (Wedding Present) or fake HM (Zodiac Mindwarp) to bother with.Napalm Death even wrote a select few slow, heavy songs that were pretty much homage to Swans- 'Internal Animosity' from the Pathological Comp springs to mind.

As for Earache- yeah sure,even tho I had no direct contact with Factory, I was certainly influenced from afar.Factory was THE 80's Independent music scene institution in the UK..at the time it was the blueprint for how to cultivate a scene, stay connected to the street, but have mega-selling hits aswell.At it remained based in the North of england, which was brave in itself, as nearly 100% of the business of music takes place in London. What the late Anthony Wilson and the assorted bands achieved was groundbreaking, probably only a handful of labels have repeated the feat since.

Factory must have been a fun place to work..they had a party to celebrate anything it seems- ha ha - plus things like the numbering of the releases tapped into the record-collector psyche-and giving a catalog number to the hacienda club itself, and the office cat was just brilliant! We often toy with that idea -just to thwart the many earache fans who do actually collect the full set of mosh releases.Our PlayStation 2 game has a Mosh number even tho we didnt release it, for that make-the-collectors-work-hard reason.

But unlike Factory, Earache saw a lawyer early and actually signed contracts with most of its bands, so that was a crucial difference.I also never got sidetracked into running clubs or bars either, probably because Earache has never had the massive chart hits that could fund such wacky endeavours.

Severe Torture & Nox connection?

Question: This is about two of your bands who share members, with nox and
severe torture which band came from which did nox form as a side project of
severe torture or vice versa or are they two bands who mutated together?
Also do you know if it is difficult with members in two bands who are that
close to seperate what material is written for what band? From:

Answer:yeah its confusing, the bands are very closely linked but Severe Torture are Hollands most well known Pure Death metal band and have been around for quite a while,while,Nox are more blackened DM and are newer. Seth (drummer of ST) joined Nox on vocals but the main difference is NOX are the brainchild of Rob Oorthuis (ex-Centurian) and to further confuse matters, Severe Torture bassist Patrick plays in both bands aswell.

How did we sign BONDED BY BLOOD?

Question: So how did earache discover bonded by blood then I mean LA is a bit far out from your offices in nottingham and new york. Was it through myspace, touring or word from another band they played some shows with the waste if what ive read on forums is correct. From:

Answer: You might have noticed we are madly into the new school THRASH METAL sounds at the moment. Evile are doing great for us, as are Muni Waste and SSS too.After a cool tip off from MOnte at RoadRunner,we actually were due to sign LA thrashers Fueled By Fire in 2006 but even tho we gotto contract stages, they chose Metal Blade instead.So we missed out on them, but did not give up our search.
We spent early 2007 looking at a few LA thrash bands because it is undeniably the hotbed of New-School Thrash at the moment, there are literally hundreds of bands popping up, all playing blistering old-school thrash like it was 1987 again, but none grabbed us enough for a deal.We had spent most of 2007 doing our research via myspace then Ali Marr at this office came across Bonded By Blood in July as a track on the Thrash Unlimited forum myspace.Just one track- Immortal Life- but it immediately blew our minds here, they became a firm favourite.
We quickly got to work on signing the band up, signing just before their EP was released, as they are far and away the most talented of the new school LA bands, with powerful vocals from Aladdin, and Alex Lee is a guitar legend-in-waiting.At roughly the same time, an unknown Thrash fan in LA had emailed me to make a suggestion-BONDED BY BLOOD so this genuine tip-off spurred us on to get the deal done, the fan quickly became Earache's A&R contact in LA.The debut BONDED BY BLOOD album- titled possibly FEED THE BEAST, will be out march 2008, and includes songs from the EP plus 7 more Thrash classics.

Earache -no love for Ted Maul then?

Question: This is an interesting one, how come earache never picked up ted maul? If you look at its inital line up it had peter theobalds on bass who used to be in akercocke but he left if i recal because aks touring and recording comitments made it impossible to do both bands, who was also in ak at the time and also ritz who had a stint as akercocke\'s keyboard player. Also a large proportion of the band worked as roadies for ak. I thought a band that brutally heavy with that kind of association to one of earache\'s better bands would be on the label quite quickly. I mean as far as i know the band are still unsigned with their last album white label being self released by its members. From:

Answer: Hmmm very interesting one, as you say- on paper Earache SHOULD be working with Ted Maul..the band are obviously pushing the envelope musically, with the Drum N bass meets Death Metal angle, which is gaining great reviews, plus the Akercocke connection and we do seem to have a lot in common- it should make it a no-brainer, right?

The problem is Earache itself was experimenting with the Hardcore techno/DnB mashed up with Metal thing in the 90's and so its kinda pretty old news round these parts, and we also know how closed-minded metallers can be to such hybrid sounds- despite critics applauding it.Unless Enter Shikari have made it OK for metal fans nowadays to enjoy mashed-up genres?

Also we have never had any meaningful type dialogue/contact with Ted Maul,for some reason they keep their distance from us- maybe it was because Akercocke were already on Earache, we also know they have a strong DIY ethic within the band, which we can understand, and are aware they prefer to do their own thing, which is actually how a lot of bands choose to operate these days-myspace allows bands to interact with fans so much easier than in the even recent past.Many dont actually need a label.

To an outsider it probably looks crazy that we arent working with Ted Maul..but for various reasons the band and label never got together.We think they are a cool bunch of dudes, but its just one of those things.

Earache & Taint?

Question: Im just wondering did earache have any interest in welsh sludge/post metal/hardcore punk crew taint. My reason for asking is because everytime they have played nottingham the past few times there seems to be a few earache staffers at their shows were you guys checking them out as a possible future earache band or somthing? From:

Answer: Yeah quite a few of the staffers have always loved TAINT - in fact that whole ACRIMONY/BLACK EYE RIOT Wales Sludge/doom scene goes down well on thee Earache death deck.TAINT have a lot in common with CLUTCH to my mind, but I don't think we ever tried to sign them tho- they have been signed to Lee Dorrian's Rise Above label so we leave them alone.I notice they have a newie out now and are touring including a Nottingham show. We should be in attendance as usual, we are at most decent shows in the town after all.

CARCASS have reformed

Question: Hi there,is it true that Carcass reunion?as far that i know,ken owen are having badly brain tumor disease.Is he recover?If that all true,i will could pay thousand dollar to fly over seas to see Carcass play at ozzfest!-ma\'el-(malaysia) From: maelsick666666sense@yahoo.com

Answer: Well you better get saving up for your flights my friend, because it is true that CARCASS will reform to play some shows next summer at European festivals- we hear currently: TUSKA 2008, WACKEN 2008 & HELLFEST 2008, and maybe more to be announced. The band recently met up in London to be filmed for a series of retrospective DVD's which we are releasing next year.You are right about Ken tho- he suffered an accidental brain hemorrhage in 1999 which left him in a coma, literally fighting for his life- after an amazing fightback,and a lot of rehabilitation he is now fully able- but drumming a full live set would be too taxing- so the drummer on the shows will be Daniel Erlandson (Mike Amott's band mate in Arch Enemy).

Heres CARCASS video for "Keep on Rotting In The Free World"

What happened to Pulkas?

Question: What happened to Pulkas???? From: angharad.jones@orange.net

Answer:They were a fantastic band while they lasted were PULKAS.Earache signed the London band after they played a handful of gigs in 1998, and recorded them with famed producer Colin Richardson for the debut album "Greed".On its release -to rave reviews- it became obvious that the band could easily go onto great things, as their brand of groovy/alternative-leaning metal was breaking big, if you recall, 1998 was the era when Deftones/Tool etc were coming through on the world scene, selling lots of albums.

Sensing their greatness deserved better than the indie label they had just signed to, the band wasted no time in recruiting a manager who proceeded to shop them to major labels, even tho the band were contracted to us for 3 more albums.They broke off all contact with Earache so we were forced to spend 2 years wrangling via lawyers, defending our quite legitimate legal and moral position.At some point in the protracted process, the band split up.Almost 10 years on, the album was so ahead of its time, it still sounds contemporary-like it could have been released last week- but I dont think the ex-members have been in any notable bands since.

Strange things are happening and the band is getting a bit of attention lately in 2009- 11 years after the album- so heres the bands only video clip, LOADED.

The Freezing Fog & Beecher

Question: If a band breaks up under contract to earache, what normally happens in regard to the former musicans new projects does earache have rights to first listen to decide if they want to pick them up or not, for example the band of ex beecher members the freezing fog would earache have had first rights to check the demos out to gauge interest or not? From:

Answer: The usual contract is such that the individual members are signed, not the band-so when a band splits mid-contract, Earache has the option to continue with any members' new outfits, or not.In the case of Beecher, the band split up quite suddenly and unexpectedly, soon after the release of their first album for us, while promotion was still ongoing infact.The band persevered through a couple of gruelling Euro tours making seemingly little or no headway in terms of building a career, which kinda made the guys re-think their priorities.
Earache chose not to pick up the option to continue.Now some 2 years later, ex-Beecher members are back as THE FREEZING FOG and while they have mutated into a more stoner/cathedral rock vibe, its not something Earache would be interested in right now.Beecher were cruelly under-appreciated when they were going, and in many ways spearheaded the UK screamo/death scene which many bands have embraced with much greater success since.

Gallows & Earache?

Question: Is it true that earache turned down Gallows, Aparently on the
night they got signed they were playing a gig at rock city according to them
reps from all three of the nottingham metal labels were there and they said
that iatde were the only ones that offered them a deal, do you regret this
decision now being as they are being scene as \"saviours\" of the uk extreme
metal/punk/hardcore scene. From:


Answer:Earache never really even knew about Gallows until after the IATDE debut.I dont remember there being much of a fuss about them in our office, their 'greatness' was'nt recognised by us at all until quite recently.You could say we were slow off the mark.

I don't regret not getting involved in them, we have enough on our plate with the bands we already signed. We think fair play to mark at iatde records for taking the chance and he has earned the kudos that his decision deserved.Both Gallows and IATDE are both doing great it seems, so more power to them.

The Music Biz- it's what we do..

Question: hi there, my names Mark and I\'m studying music at college and I just wanted to ask a few questions about Earache as a record label.
Has Earache always been a completely independent label or have there ever been any occasions where they have helped bands with more than just promotion or distribution. For instance, have you ever organised tours/gigs or cover art for any bands.
How do you usually find your acts and do bands often send their demos to you?
Do you handle the royalties for music you‚ve released if it gets played on the radio or some other form of media?
Thanks.
From: smets.mark@gmail.com

Answer:Earache has always been an 100% Independent label.Meaning its ownership is out of the hands of the big 4 Major music labels which between them control approx 75% of the worlds music output- labels like Universal, SONY-BMG, Warners and EMI.We are not part of them so do not have to pander to shareholders and such like.In this age of myspace and free Mp3s, promotion and distro is often overlooked-- i mean, Earache's Cds are currently available in over 20 countries of the world.This is no mean feat, we oversee the manufacture and distro of Cds into basically 20 warehouses across the globe from which shops obtain the cd.If you visit stores in Melbourne,Manchester, Madrid, Moscow, or Michigan you find Earache CDs in stores.

What we basically bring to the table is knowledge and experience of career development for bands, and the means and finances to carry it out.For touring we usually hook the band up with an agent ho deals with clubs and bookings on behalf of the act, but if they are too new, we do it instead. For artwork bands have creatiuve freedom, so they supply art - or if not, we usually carry out the bands wishes. we help out all our bands especially in the early stages of a career.

We find bands all over- not usually from demos in the mail tho..we scour myspace for great new bands who are original and talented and who wanna work hard to acheive a career.Some bands are signed after we see them perform live, we are always checking out opening bands, the ones on the bottom of the bill are what we like to see..On a typical week I personally can see 5 new bands, between our A&R staff its gotta be 20, in clubs in Nottingham, New York, London and further afield.

For royalties, we collect the money from sales in all formats, CD, Digital downloads and as the song publisher from radio airplay too.This is paid to the artists twice a year according to contract, if the bands recoup the recording costs.

hope that explains how it works.

The Horror/Voorhees on Earache?

Question: Im wondering since earache has signed SSS, Are you looking into any other members of the thrashgig crew at all eg the horror? Speaking of the horror, I heard that earache offered to sign them back in the day when they were voorhess but the band said no because of their DIY ethics is this true? id be suprised if earache showed no interest as they were one of the main ukhc punk bands back in the 90s. From:

Answer: Earache has a strong Hardcore punk background- after all, its the music that I grew up with, the first 80's wave of US and UKHC bands, but Earache hasnt done too many of those straight up HC bands since HERESY.While I am all in favour of the DIY ethics (hell,I still kinda consider Earache a DIY label)sadly, the purist holier-than-thou attitudes of a lot of current HC bands means they don't want to work with us, and I can accept that, we are just fine with that.

In the 90's Earache spoke to quite a few of the UKHC bands- I honestly dont remember talking to Voorhees, but I recall Knuckledust were one of my faves because they sounded crushingly heavier- but they were always happy enough with their current situation and did'nt fancy working with a bigger label.Fair enough.As a consequence,most of the bands Earache prefers to sign have got to have a much more 'crossover' mindset- meaning a love of all things metal aswell as punk.Iron Monkey for a time were like that, till Steve Watson left, a lot of the 'metalhead' attitude left with him, so they reverted to operating like a traditional HC punk outfit.

SSS fit the crossover bill- thats why we work with them, but even tho I never checked them out properly,I assume The Horror & Voorhees before them are/were steeped 100% in the HC scene and while I applaud their principles and their DIY efforts,its something we dont go for as a label, to be honest, with one exception of
Career Suicide cos they are outstandingly brilliant.

Heres Voorhees in 1995 live at bradford:

Could SLEEP have been massive, like Wolfmother?

Question: do you think if sleep had stayed together they would have been alot more comercially successful than they were? im asking this because they are listed as a main influence of wolfmother on wolfmother\'s who are a band who have made it very big with a similer sound. Im just wondering do you think the orginals could have had the same success? From:


Answer: I know what you mean- on the face of it Sleep were sounding remarkably like Wolfmother, but a decade beforehand.The truth is both bands were influenced by the 70's Hard Rock originators, Black Sabbath, Blue Cheer, Led Zep etc but Wolfmother came out in 2005 to a more mature rock-friendly record buying climate that Sleep didnt benefit from back in the 90's.Sleep did have the chance for stardom when they signed to a major label-London records- but they blew it by wilfully making a 73 minute one song/one riff of an album that the major shelved because it was totally uncommercial.In short, Sleep didnt pander to the corporate Industry game, and you have to applaud them for that.Wolfmother also have more obvious Robert plant vocals that Sleep lacked.So yeah i think if Sleep had cared about making it big, they would have done it, sure..but they just did not give a shit.

make your own mind up by viewing the video we shot of them in 1993:

The Earache & The Prodigy connection

Question: I read somewhere that earache tried to sign the prodigy back in the day is this true? also is this the reason why during the 90s earache picked up the side project of gizz and also why jim ended up in pitchshifter?
Also does earache have any interest in the power violence scene at all, I remember once reading in a fanzine that dropdead had contacted you but it didnt get very far, to which im quite suprised being as dave witte whos in an earache band is a leading figure of the genre. From:

Answer: Funny you should mention The Prodigy- they are one of my favourite bands of all time (along with Slayer).In the early-mid 90's they were responsible for turning me onto Rave/techno music which was coming out of the underground in the UK.The band had banging beats and a certain punky attitude which i thought was fantastic, they still have it to this day.We never got the chance to sign The Prodigy, but the time would have been a year ago when they finished with long-term label XL to go with their own imprint under Cooking Vinyl umbrella.A bold move again from a very savvy band.
In about 1997 Earache was due to sign the English Dogs, a hardcore punk band led by Gizz Butt, himself a scene stalwart, and as we did the signing, he informed us of some weird news- Liam Howlett had hand picked him to be the new live guitarist for The Prodigy, replacing Jim Davies who had famously played guitar on the "firestarter" track and had appeared on and off at live events with them too, but who it seems Liam decided didnt cut it onstage as well as Gizz.Jim was out and Gizz was in. The irony was that English Dogs (who quickly changed name to Janus Stark) made an album for Earache but never toured properly in support of it, since Gizz was wanted by The Prodigy.Jim soon hooked up with Pitchshifter (who were on Earache previously) and had pioneered rave/drumnbass mashed up with metal at around the same time as prodigy, but with less success. So yeah it was weird that the guitarists Earache was working with were both chosen by Liam.

As for Drop Dead, yeah that first pressing of the debut album was a total fave round here, and i think we made contact to try to work with them, but the band were too DIY in their outlook to consider working with Earache, so it never happened. We certainly tried tho!

Scorn- Vae Solis cover explained.

Question: Scorn\'s \"Vae Solis\" is one of the most masterful pieces of intense industrial music ever placed onto plastic. It\'s unique blend of dub, industrial and metal-driven riffs ala Godflesh (Justin Broadrick did play on the CD of course!) yet it\'s still such a mystery to me.

I tried asking Mick Harris himself online about lyrics for the CD but he didn\'t have any. Also, I always wondered what the album title \"Vae Solis\" means, or what exactly is it? Also, what is that on the album cover?

Great CD, but such a mysterious album. From:

Answer:Yeah Scorn's debut Vae Solis is a terrific album, which stands repeated listens even 15 years later, but i think it is merely a hint of the greatness which was soon to come from the duo of Mick Harris and Nik Bullen on 1994's Evanescence album., which is revolutionary. As for the lyrics, Nik used to carry round a small pocket notebook everywhere with him and was constantly writing new ideas/lyrics etc into it..this formed the basis of many of the themes in his works.The cover of Vae Solis (which i think strictly means 'Woeful Sun' in latin- or Black Sun more likely) is a collage of 2 medical photographs superimposed. One photo is an open throat, probably diseased, the other is a cancerous cell, taken with microscope, if memory serves.

Concrete Sox on Earache -80s HC band.

Question: Why didn\'t Earache or has the label ever thought of signing Concrete Sox to their legion of hardcore bands back in the 80\'s? Indeed they did a split album with Heresy but why didn\'t Earache try grabbing in Concrete Sox for a record deal?

In my humble opinion, Concrete Sox were a gem in the hardcore/crossover movement of the 80\'s and sadly, their legacy isn\'t carried on much today other than through P2P mp3 sharing programs (like Soulseek, etc). It would\'ve been great to see Concrete Sox get their own record/CD released on Earache so at least people can get better access to the band (of course, that is if the label decided to reissue their CD\'s.) From:


Answer: Earache's Mosh 2 release was actually my first proper release and as you say was a split LP between 2 of Nottingham's crossover/HC/metal bands at the time,late 80's, HERESY and CONCRETE SOX. It soon became clear that heresy were the much better received by fans at the time, probably because of the amount of touring they undertook. CS tended to stay at home.Also Earache didnt really want to work with CS anymore after the success of Napalm death's scum LP, the label took on a very different course and I signed much more metalcore acts, CS were more a political punk band who loved a bit of metal.As time went on, CS recorded a few more releases and survive in some form to this day, but have always suffered from line up problems.

Evile 7inch FREE with purchase of album

Question: Hey Earache whats up? I heard about an Evile vinyl EP available. How can I get my hands on this. I live in California.From Stevethrash666@gmail.com

Answer: The Evile FREE 7 inch single is only available from the USA EARACHE webstore in the USA> its mainly going to be in UK indie shops,where you can ask for it if you buy the album on Monday 27th August, as well as with pre-orders from earache uk webstore of the Evile debut Enter The Grave album. See this LIST OF STORES

Deicide update..

Question: Any deicide news? are they still together? From: macmullinrobert@yahoo.ca


Answer: Touring as been curtailed as Glen has some legal issues pending BUT that has given the main writer- Steve Asheim- plenty of time to get creative, both Jack owen and Steve have been working on demo-ing some more 'Rock- based' projects and Ralph was ousted during the turmoil, but he quickly resurfaced as Obituary's guitarist.

Deicide DID look to be going nowhere-BUT- incredibly,out of the blue- we just received 8 new DEICIDE songs in demo form, and they are incredible, like Stench material but now even faster, if such a thing is possible.
The band, Glen, Jack, Steve and probably Dave Suzuki (ex-guitarist Ralph Santolla might just appear as guest soloist?) will more than likely enter Morrisound Recordings in September to record the new album.Earache will officially announce its release nearer the time, probably in stores around Jan 2008.As ever with Deicide, all information is subject to change.

Earache Early Releases Pressing quantities

Question: Hi there,
I wonder if there are any detailed informations about the number of copies that were pressed from the \"old\" Earache releases? I\'m trying to complete \"my youth\" what means MOSH1 to MOSH49 on vinyl records. Last week i finally got my MOSH10. It was very hard to find that one. But much harder to find, nearly impossible is e.g. MOSH1. So my question is how many copies were pressed of MOSH 1 to 49? From: m.mahlert@googlemail.com

Answer: Well good luck to you in your search- it was only recently that i got my own copy of MOSH1 on vinyl cos i never put myself a copy aside on release(thanks Lee).The Accused record was not actually pressed by me, it was a co-release with Bristols now long defunct label COR, who kindly made the pressing for me.I suspect maybe 5000 were made on LP at the time, 1987- and no represings ever since cos the rights reverted to the band.
You can get a lot of info on pressings at our catalog page HERE.
Most of the releases 1-49 did come out on vinyl but in varying quantities. The bigger bands Napalm Death, carcass, Entombed, Morbid Angel etc probably did 10,000+ on vinyl and are easily available even 20 years later on ebay etc.Some of the less successful acts had pressings more in the order of 2000-3000 or so.Titles like the first OLD, Intense Degree,Filthy Christians,Spazztic Blurr, Sore Throat, Sweet Tooth just did not sell that well on release so i put the labels energies into the bands who were exploding so the others never waranted a re-press at the time.

By a supreme irony i have a werehouse at a secret location in Nottingham, chock full of unsold vinyl albums from the 90's, and every now and again we visit the place and see lying around some of these long lost classics that collectors would kill for.But we leave them there, gathering dust- unwanted and unloved. Sorry dude.

Former Earache artists new works...

Question: I was wondering out of all the former earache artists whose current musical activities suprise you the most, for me it has to be nick royale of entombed being as he left to concentrate on garage rockers the hellacopters and managed to influence the hives along the way, although hes now come back to death metal with death breath. So which one is it for you. From:


Answer: Most of our former artists- and after 20 years of doing this, we have a LOT of ex-artists- most, to their credit keep on playing the kind of music which they did in the past whilst on the label, best examples are say Bolt Thrower and Morbid Angel.I guess that shows most of our bands stuck to thier guns and given that most of the early Earache musicians were wildly innovative in the orignal death/grind scene, that is how it should be. If you want to know the ex-musicians who have surprised and delighted me the most with their post-Earache output- it has to be Mick Harris and also Justin Broadrick.Thomas Lindberg and Jim Plotkin also fall into that category, for daring to be different.

Mick Harris basically was the prime force in early Napalm death and the super fast drumblast was his innovation, but he left the band and began a totally different musical direction..he began making more electronic music with Scorn.The album he produced called 'Zander' is incredible, its an earth-shaking bass driven dub album, quite unlike anything i had heard before, or since infact. Thats true innovation and creativity right there. As for Nicke ex-Entombed, there were subtle hints of his new hellacopters direction whilst he was still in entombed infact- the Kiss worship in interviews, the choice of New bomb turks to do a split 7inch release with.The rock n roll direction of the hellacopters seemed to be Nickes main choice of style, and he did very well with it after taking the leap from Entombed.